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| 005 | | 20180411152859 |
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▼a 904404928 |
| 020 | |
▼a 9781472511775
▼q (electronic bk.) |
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▼a 1472511778
▼q (electronic bk.) |
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▼z 9781472513557
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▼z 147251355X
▼q (paperback) |
| 020 | |
▼z 9781472513878
▼q (hardcover) |
| 020 | |
▼z 1472513878
▼q (hardcover) |
| 029 | 1 |
▼a NZ1
▼b 16097736 |
| 035 | |
▼a (OCoLC)898214025
▼z (OCoLC)904404928 |
| 040 | |
▼a N$T
▼b eng
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▼x 011000
▼2 bisacsh |
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▼a 792.01
▼2 23 |
| 084 | |
▼a PER011020
▼2 bisacsh |
| 100 | 1 |
▼a White, Gareth,
▼d 1968-
▼e author. |
| 245 | 10 |
▼a Applied theatre.
▼p Aesthetics/
▼c Gareth White. |
| 246 | 3 |
▼a Aesthetics |
| 264 | 1 |
▼a London ;
▼a New York :
▼b Bloomsbury Methuen Drama,
▼c 2015. |
| 264 | 4 |
▼c ?015 |
| 300 | |
▼a 1 online resource (x, 3010 pages):
▼b illustrations. |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 490 | 1 |
▼a Applied Theatre |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Title Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Introduction; Applied theatre, aesthetics and the aesthetic; Terminological drift and clarity; Beauty and engagement; An applied theatre aesthetic?; The chapters; Part 1; Chapter 1 Aesthetics and the Aesthetic; What do we mean when we talk about 'Aesthetics'?; Philosophical aesthetics; Immanuel Kant and the emergence of aesthetics; The critique of aesthetics and progressive alternatives; Dewey's pragmatist aesthetics; The aesthetics of participation; Interlude: Eye Queue Hear. |
| 505 | 8 |
▼a Chapter 2 Aesthetic Autonomy and Heteronomous AestheticsAesthetic autonomy; Genius, participation and The Radical Aesthetic; Dependent beauty; Heteronomous aesthetics; Berleant and The Aesthetic Field; Shusterman: Updating pragmatism; Johnson and aesthetic understanding; Conclusion; Part 2; Chapter 3 Dancing With Difference: Moving Towards a New Aesthetics; Beauty reflected, recollected and reconceived; Moving beyond moving: StevensonThompson; Fevered Sleep and 'Social Works': On Ageing and Men and Girls Dance; Conclusion. |
| 505 | 8 |
▼a Chapter 4 Revolutionary Beauty out of Homophobic Hate: A Reflection on the Performance I Stand Corrected Applied politricks; Applied lackaesthetics; Beauty and the senses ; Beauty and the sacred; Beautiful women, ugly feelings; Thinking beauty; Beautifully black; Beautiful moves; Looking forward; Chapter 5 Competing International Players and their Aesthetic Imperatives: The Future of Internationalized Applied Theatre Practice?; Introduction; Aesthetics; Ethnoscape -- a way of looking; Refugees; International interveners; European artists; Tourists; Conclusion. |
| 505 | 8 |
▼a Chapter 6 Aesthetic Play: Between Performance and JusticeIntroduction; Gacaca as a performative; Performing justice and reconciliation -- Art's sublimation (2005); Gacaca as ikinimicu (2010); Conclusion; Chapter 7 The Political Imagination and Contemporary Theatre for Youth; Introduction; Political aesthetics; Rough Theatre today; Responding to young people's lives; Imagination, popular culture, Rough Theatre; Acquiescence: The Rock Eisteddfod Challenge; Popular culture as cultural pedagogy; Chapter 8 The Aesthetics of Becoming; Applied Theatre and the Quest for Cultural Certitude. |
| 520 | |
▼a "Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts. Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses. The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems"--
▼c Provided by publisher. |
| 588 | 0 |
▼a Print version record. |
| 590 | |
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks |
| 650 | 0 |
▼a Theater
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▼a PERFORMING ARTS
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▼a Theater
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▼a Theater
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▼a White, Gareth, 1968-
▼t Applied theatre
▼z 9781472513557
▼w (DLC) 2014037340
▼w (OCoLC)875520574 |
| 830 | 0 |
▼a Applied Theatre. |
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