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019 ▼a 936547786 ▼a 954028627
020 ▼a 9780472121380
020 ▼a 0472121383
020 ▼z 9780472119660
020 ▼z 0472119664
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0291 ▼a CHBIS ▼b 011054186
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050 4 ▼a TR73 ▼b .S747 2015
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08204 ▼a 770.943 ▼2 23
1001 ▼a Stetler, Pepper.
24510 ▼a Stop reading! Look! : ▼b modern vision and the Weimar photographic book/ ▼c Pepper Stetler.
260 ▼a [Place of publication not identified]: ▼b [publisher not identified], ▼c 2015.
260 ▼a Ann Arbor [Michigan]: ▼b University of Michigan Press, ▼c [2015].
300 ▼a 1 online resource (1 PDF (x, 252 pages) :): ▼b illustrations.
336 ▼a text ▼b txt
337 ▼a computer ▼b c
338 ▼a online resource ▼b cr
4901 ▼a Social history, popular culture, and politics in Germany
500 ▼a Revision of the author's thesis (Ph. D.--University of Delaware, 2009) under the title: Bound vision : reading the photographic book in the Weimar Republic.
504 ▼a Includes bibliographical references (pages 223-234) and index.
5050 ▼a Introduction : how to read a photographic book -- Visualizing the book : L?szl? Moholy-Nagy's Malerei Photographie Film -- The value of photography : Albert Renger-Patzsch's Die Welt ist sch?n -- Natural history : Karl Blossfeldt's Urformen der Kunst -- Facing the photographic book : Helmar Lerski's K?pfe des Alltags -- Conclusion : after the Weimar photographic book.
5200 ▼a In the second half of the Weimar period (1918-33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While many of the books were created by key practitioners and theorists of modern photography, scholars have rarely addressed the significance of the book format to modern conceptions of photographic meaning. The term "photo-essay" implies that these photographic books were equivalent to literary endeavors, created by replacing text with images, but such assumptions fail to explore the motivations of the books' makers. Stop Reading! Look! argues that Weimar photographic books stood at the center of debates about photography's ability to provide uniquely visual forms of perception and cognition that exceed the capacity of the textual realm. Each chapter provides a sustained analysis of a photographic book, while also bringing the cultural, social, and political context of the Weimar Republic to bear on its relevance and meaning.
5880 ▼a Print version record.
590 ▼a eBooks on EBSCOhost ▼b All EBSCO eBooks
648 7 ▼a 1900-1999 ▼2 fast
650 0 ▼a Photography ▼z Germany ▼x History ▼y 20th century.
650 7 ▼a COMPUTERS ▼x Digital Media ▼x Photography. ▼2 bisacsh
650 7 ▼a PHOTOGRAPHY ▼x Reference. ▼2 bisacsh
650 7 ▼a TECHNOLOGY & ENGINEERING ▼x Imaging Systems. ▼2 bisacsh
650 7 ▼a Photography. ▼2 fast ▼0 (OCoLC)fst01061714
650 7 ▼a Computer ▼2 gnd
650 7 ▼a Fotografie ▼2 gnd
651 0 ▼a Germany ▼x History ▼y 1918-1933.
651 7 ▼a Germany. ▼2 fast ▼0 (OCoLC)fst01210272
651 7 ▼a Deutschland ▼2 gnd
655 4 ▼a Electronic books.
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
77608 ▼i Print version: ▼z 0472119664 ▼z 9780472119660
830 0 ▼a Social history, popular culture, and politics in Germany.
85640 ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1107538
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL4312730
938 ▼a EBSCOhost ▼b EBSC ▼n 1107538
938 ▼a ProQuest MyiLibrary Digital eBook Collection ▼b IDEB ▼n cis33517774
938 ▼a Project MUSE ▼b MUSE ▼n muse47122
938 ▼a YBP Library Services ▼b YANK ▼n 12548172
990 ▼a ***1012033
994 ▼a 92 ▼b KRDHU