| LDR | | 03857cam a22006258i 4500 |
| 001 | | 000000411775 |
| 005 | | 20190131142556 |
| 006 | | m d |
| 007 | | cr ||||||||||| |
| 008 | | 161214s2016 inu ob s001 0 eng |
| 010 | |
▼a 2016057716 |
| 019 | |
▼a 967564424 |
| 020 | |
▼a 9780253024053
▼q (electronic bk.) |
| 020 | |
▼a 0253024056
▼q (electronic bk.) |
| 020 | |
▼z 9780253023971
▼q (cloth ;
▼q alk. paper) |
| 035 | |
▼a 1446981
▼b (N$T) |
| 035 | |
▼a (OCoLC)966314924
▼z (OCoLC)967564424 |
| 037 | |
▼a 22573/ctt1zzj4px
▼b JSTOR |
| 040 | |
▼a DLC
▼b eng
▼e rda
▼e pn
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▼d OCLCO
▼d N$T
▼d EBLCP
▼d YDX
▼d OCLCF
▼d P@U
▼d OCLCQ
▼d OTZ
▼d JSTOR
▼d 247004 |
| 042 | |
▼a pcc |
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▼a PN1995.9.E96 |
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▼a PER004030
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▼a PER018000
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| 082 | 00 |
▼a 791.43/611
▼2 23 |
| 100 | 1 |
▼a Kuc, Kamila,
▼e author. |
| 245 | 10 |
▼a Visions of avant-garde film :
▼b Polish cinematic experiments from expressionism to constructivism/
▼c Kamila Kuc. |
| 260 | |
▼a Bloomington:
▼b Indiana University Press,
▼c 2016. |
| 300 | |
▼a 1 online resource. |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b n
▼2 rdamedia |
| 338 | |
▼a online resource
▼b nc
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion. |
| 520 | 8 |
▼a Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema. |
| 588 | 0 |
▼a Print version record and CIP data provided by publisher; resource not viewed. |
| 590 | |
▼a Master record variable field(s) change: 072 |
| 650 | 0 |
▼a Experimental films
▼z Poland
▼x History and criticism. |
| 650 | 7 |
▼a PERFORMING ARTS
▼x Reference.
▼2 bisacsh |
| 650 | 7 |
▼a Experimental films.
▼2 fast
▼0 (OCoLC)fst00918452 |
| 650 | 7 |
▼a PERFORMING ARTS / Film & Video / History & Criticism
▼2 bisacsh |
| 651 | 7 |
▼a Poland.
▼2 fast
▼0 (OCoLC)fst01206891 |
| 655 | 4 |
▼a Electronic books. |
| 655 | 7 |
▼a Criticism, interpretation, etc.
▼2 fast
▼0 (OCoLC)fst01411635 |
| 776 | 08 |
▼i Print version:
▼a Kuc, Kamila author.
▼t Visions of avant-garde film.
▼d Bloomington : Indiana University Press, 2016
▼z 9780253023971
▼w (DLC) 2016040997 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://libproxy.dhu.ac.kr/_Lib_Proxy_Url/http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1446981 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL4773509 |
| 938 | |
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▼n 1446981 |
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▼a Project MUSE
▼b MUSE
▼n muse57822 |
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▼a YBP Library Services
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▼n 13150287 |
| 990 | |
▼a ***1012033 |
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