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020 ▼a 9780438370647
035 ▼a (MiAaPQ)AAI10838985
035 ▼a (MiAaPQ)uchicago:14456
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 791
1001 ▼a Morse, Nicole Erin. ▼0 (orcid)0000-0002-4688-2454.
24510 ▼a Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art.
260 ▼a [S.l.]: ▼b The University of Chicago., ▼c 2018.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2018.
300 ▼a 240 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
500 ▼a Adviser: Daniel Morgan.
5021 ▼a Thesis (Ph.D.)--The University of Chicago, 2018.
520 ▼a Selfie Aesthetics: Form, Performance, and Transfeminist Politics in Self-Representational Art analyzes selfies by trans women and transfeminine artists to reveal how they produce new ways of being and relating in the digital era. Looking beyond
520 ▼a Each chapter is built around one of the four key themes. In chapter one, I move across sites ranging from the Whitney Biennial to Instagram to show how artists like Zackary Drucker and Reina Gossett employ the visual rhetoric of doubling in thei
590 ▼a School code: 0330.
650 4 ▼a Film studies.
650 4 ▼a Gender studies.
690 ▼a 0900
690 ▼a 0733
71020 ▼a The University of Chicago. ▼b Cinema and Media Studies.
7730 ▼t Dissertation Abstracts International ▼g 80-01A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0330
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14999664 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 201812 ▼f 2019
990 ▼a ***1012033