| LDR | | 01883nam u200409 4500 |
| 001 | | 000000419521 |
| 005 | | 20190215163737 |
| 008 | | 181129s2018 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438271456 |
| 035 | |
▼a (MiAaPQ)AAI10841322 |
| 035 | |
▼a (MiAaPQ)indiana:15351 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
| 082 | 0 |
▼a 398 |
| 100 | 1 |
▼a Morales, Eric Cesar.
▼0 (orcid)0000-0001-9219-9384. |
| 245 | 10 |
▼a Dancing to Tahitian Drums: Cultural Appropriation in the Age of Globalization. |
| 260 | |
▼a [S.l.]:
▼b Indiana University.,
▼c 2018. |
| 260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2018. |
| 300 | |
▼a 262 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A. |
| 500 | |
▼a Adviser: John H. McDowell. |
| 502 | 1 |
▼a Thesis (Ph.D.)--Indiana University, 2018. |
| 520 | |
▼a Tahiti has long been marketed as a paradise, known for its stunning beaches and welcoming inhabitants, but the colonialism and evangelism that have cultivated this image for tourists have historically devastated the cultural practices of the ind |
| 520 | |
▼a In this dissertation, I show how Tahitians have revived their art forms, regained agency over their cultural patrimony on the global stage, and fought against the homogenizing effects of colonialism and tourism. I argue that this has been achiev |
| 590 | |
▼a School code: 0093. |
| 650 | 4 |
▼a Folklore. |
| 650 | 4 |
▼a Dance. |
| 690 | |
▼a 0358 |
| 690 | |
▼a 0378 |
| 710 | 20 |
▼a Indiana University.
▼b Folklore and Ethnomusicology. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-12A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0093 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2018 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14999780
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a ***1012033 |