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020 ▼a 9780438380493
035 ▼a (MiAaPQ)AAI10932086
035 ▼a (MiAaPQ)ucla:17187
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 780
1001 ▼a Woolsey, Morgan Fifield.
24510 ▼a Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981).
260 ▼a [S.l.]: ▼b University of California, Los Angeles., ▼c 2018.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2018.
300 ▼a 247 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 80-02(E), Section: A.
500 ▼a Advisers: Raymond L. Knapp
5021 ▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018.
520 ▼a In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror's many manipula
520 ▼a My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship be
590 ▼a School code: 0031.
650 4 ▼a Music history.
650 4 ▼a Film studies.
650 4 ▼a LGBTQ studies.
690 ▼a 0208
690 ▼a 0900
690 ▼a 0492
71020 ▼a University of California, Los Angeles. ▼b Musicology.
7730 ▼t Dissertation Abstracts International ▼g 80-02A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0031
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15001078 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 201812 ▼f 2019
990 ▼a ***1012033