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020 ▼a 9780438083455
035 ▼a (MiAaPQ)AAI10784690
035 ▼a (MiAaPQ)uchicago:14240
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 820
1001 ▼a Peart, Andrew. ▼0 (orcid)0000-0002-6177-8591.
24510 ▼a Underground Sounds: Oral Tradition and Recording Culture in American Poetry, 1917-2008.
260 ▼a [S.l.]: ▼b The University of Chicago., ▼c 2018.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2018.
300 ▼a 317 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
500 ▼a Adviser: Bill Brown.
5021 ▼a Thesis (Ph.D.)--The University of Chicago, 2018.
520 ▼a "Underground Sounds" examines the roles played by folklore collecting, sound recording, and popular song in twentieth-century American poetry. What was it about the age of mechanical reproducibility in sound, this study asks, that drew poets to
520 ▼a Since the late nineteenth century, American folklorists found a matrix for theories about cultural identity and cohesion in the ballad. Through readings of Carl Sandburg, Sterling Brown, Margaret Walker, Amiri Baraka, Carolyn Rodgers, and others
520 ▼a This study makes the case that folklore scholarship was central to the making of modern American poetry. It tells a story of collaboration and exchange between poets and folklorists that is part and parcel of an overarching narrative about the c
590 ▼a School code: 0330.
650 4 ▼a American literature.
650 4 ▼a Music.
690 ▼a 0591
690 ▼a 0413
71020 ▼a The University of Chicago. ▼b English Language and Literature.
7730 ▼t Dissertation Abstracts International ▼g 79-11A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0330
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14997276 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 201812 ▼f 2019
990 ▼a ***1012033