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020 ▼a 9780438116009
035 ▼a (MiAaPQ)AAI10788566
035 ▼a (MiAaPQ)northwestern:14074
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 305
1001 ▼a Zullo, Justin.
24510 ▼a "We Get Free!": Chicago Hip-Hop, Juvenile Justice, and the Embodied Politics of Movement.
260 ▼a [S.l.]: ▼b Northwestern University., ▼c 2018.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2018.
300 ▼a 249 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
500 ▼a Adviser: D. Soyini Madison.
5021 ▼a Thesis (Ph.D.)--Northwestern University, 2018.
520 ▼a This dissertation is an ethnography that investigates how Chicago-based artists and organizations use hip-hop performance as a tool for grassroots education and communal dissent. By exploring these local artistic approaches, this research reveal
520 ▼a I explore this question in my ethnographic research in two specific sites: (1) Kuumba Lynx (KL), a hip-hop community arts organization in Chicago's Uptown neighborhood where I've spent five years collaborating with instructors and students to be
520 ▼a Chapter one details how KL uses stylized movement, grassroots theater, and political education to interpret and critique the inequalities their students face. Through partnerships with local activist groups, students learn to safely comport them
590 ▼a School code: 0163.
650 4 ▼a African American studies.
650 4 ▼a Cultural anthropology.
650 4 ▼a Performing arts.
690 ▼a 0296
690 ▼a 0326
690 ▼a 0641
71020 ▼a Northwestern University. ▼b Performance Studies.
7730 ▼t Dissertation Abstracts International ▼g 79-11A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0163
791 ▼a Ph.D.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14997460 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 201812 ▼f 2019
990 ▼a ***1012033