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020 ▼a 9780438146808
035 ▼a (MiAaPQ)AAI10813989
035 ▼a (MiAaPQ)bu:13882
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 780
1001 ▼a Shin, Haeshin.
24510 ▼a Nikolai Medtner's Forgotten Melodies, Op. 38: Sources, Analysis, and Interpretation.
260 ▼a [S.l.]: ▼b Boston University., ▼c 2018.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2018.
300 ▼a 230 p.
500 ▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
500 ▼a Adviser: David Kopp.
5021 ▼a Thesis (D.M.A.)--Boston University, 2018.
520 ▼a Nikolai Karlovich Medtner (1880--1951) was a Russian composer, pianist and pedagogue. While active during the period of Modernism, he was one of the last descendants of the nineteenth-century tradition. Without a doubt, Medtner was considered on
520 ▼a However, discussions regarding performance practice and interpretation in playing Medtner have only recently begun. Although dissertations focused on Medtner's music began to appear in the 1960s, primary sources have been examined by only a limi
520 ▼a This dissertation aims to formulate and answer performance practice issues to develop a practical approach to learning and performing Medtner's piano compositions. Since the primary sources related to op. 38 are comparatively abundant, and the w
520 ▼a Analyses of three major types of material are provided to trace the chronological development of ideas in op. 38: sound recordings of Medtner's own playing
590 ▼a School code: 0017.
650 4 ▼a Music.
650 4 ▼a Musical composition.
690 ▼a 0413
690 ▼a 0214
71020 ▼a Boston University. ▼b Music Performance.
7730 ▼t Dissertation Abstracts International ▼g 79-11A(E).
773 ▼t Dissertation Abstract International
790 ▼a 0017
791 ▼a D.M.A.
792 ▼a 2018
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998099 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 201812 ▼f 2019
990 ▼a ***1012033