LDR | | 02094nam u200445 4500 |
001 | | 000000421598 |
005 | | 20190215165439 |
008 | | 181129s2018 |||||||||||||||||c||eng d |
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▼a 9780438005938 |
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▼a (MiAaPQ)AAI10824147 |
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▼a (MiAaPQ)ucla:16728 |
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▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
082 | 0 |
▼a 709 |
100 | 1 |
▼a Driscoll, Megan Philipa. |
245 | 10 |
▼a Art on the Internet and the Digital Public Sphere, 1994 - 2003. |
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▼a [S.l.]:
▼b University of California, Los Angeles.,
▼c 2018. |
260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2018. |
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▼a 367 p. |
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▼a Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A. |
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▼a Adviser: Miwon Kwon. |
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▼a Thesis (Ph.D.)--University of California, Los Angeles, 2018. |
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▼a This dissertation narrates the development of internet art, a diverse set of practices united by their interrogation of the technological, social, and/or political bases of computer networks. Covering the period from 1994, when internet art coal |
520 | |
▼a Claims for the public status of computer networks rest on their ability to circulate information and facilitate discussion and debate. This definition of publicness is rooted in the concept of the classical public sphere as theorized by Jurgen H |
520 | |
▼a The dissertation also engages Michael Warner's work on the formation of publics, counterpublics, and the mass-cultural public sphere |
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▼a School code: 0031. |
650 | 4 |
▼a Art history. |
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▼a Web studies. |
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▼a Political science. |
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▼a 0377 |
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▼a 0646 |
690 | |
▼a 0615 |
710 | 20 |
▼a University of California, Los Angeles.
▼b Art History 0093. |
773 | 0 |
▼t Dissertation Abstracts International
▼g 79-10A(E). |
773 | |
▼t Dissertation Abstract International |
790 | |
▼a 0031 |
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▼a Ph.D. |
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▼a 2018 |
793 | |
▼a English |
856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14998634
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
980 | |
▼a 201812
▼f 2019 |
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▼a ***1012033 |