| LDR | | 01933nam u200433 4500 |
| 001 | | 000000422877 |
| 005 | | 20190215170500 |
| 008 | | 181129s2017 |||||||||||||||||c||eng d |
| 020 | |
▼a 9780438155336 |
| 035 | |
▼a (MiAaPQ)AAI10623076 |
| 035 | |
▼a (MiAaPQ)northwesternmusic:10017 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
| 082 | 0 |
▼a 781 |
| 100 | 1 |
▼a Young, Katherine. |
| 245 | 10 |
▼a Nothing Is as It Appears: Anthony Braxton's Trillium J. |
| 260 | |
▼a [S.l.]:
▼b Northwestern University.,
▼c 2017. |
| 260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2017. |
| 300 | |
▼a 133 p. |
| 500 | |
▼a Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A. |
| 500 | |
▼a Adviser: Hans Thomalla. |
| 502 | 1 |
▼a Thesis (D.M.A.)--Northwestern University, 2017. |
| 520 | |
▼a Anthony Braxton's Trillium J, part of an ambitious planned "complex" of 36 one-act operas, premiered in 2014. Very little writing---anecdotal, journalistic, nor scholarly---exists on these works, so this research provides a critical introduction |
| 520 | |
▼a I suggest that Trillium's potential for ritualization exists, in part, because of the nuanced way the Western operatic, the American experimental, and improvised music traditions intersect and inform Braxton's work. Also important are the frustr |
| 590 | |
▼a School code: 0163. |
| 650 | 4 |
▼a Musical composition. |
| 650 | 4 |
▼a Theater. |
| 650 | 4 |
▼a African American studies. |
| 690 | |
▼a 0214 |
| 690 | |
▼a 0465 |
| 690 | |
▼a 0296 |
| 710 | 20 |
▼a Northwestern University.
▼b Composition and Music Technology. |
| 773 | 0 |
▼t Dissertation Abstracts International
▼g 79-11A(E). |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0163 |
| 791 | |
▼a D.M.A. |
| 792 | |
▼a 2017 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T14996650
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
| 980 | |
▼a 201812
▼f 2019 |
| 990 | |
▼a ***1012033 |