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| 001 | | 000000430847 |
| 005 | | 20200123112454 |
| 007 | | cr cnu---unuuu |
| 008 | | 180309s2018 inu ob 001 0 eng d |
| 020 | |
▼a 9780253032669
▼q (electronic bk.) |
| 020 | |
▼a 0253032660
▼q (electronic bk.) |
| 020 | |
▼z 025303504X |
| 020 | |
▼z 9780253035042 |
| 035 | |
▼a 1730521
▼b (N$T) |
| 035 | |
▼a (OCoLC)1028050194 |
| 037 | |
▼a 22573/ctt213cp8z
▼b JSTOR |
| 040 | |
▼a JSTOR
▼b eng
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▼d EBLCP
▼d P@U
▼d N$T
▼d 247004 |
| 043 | |
▼a e-ur--- |
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▼a PN1995.7 |
| 072 | 7 |
▼a PER
▼x 009000
▼2 bisacsh |
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▼a 791.4302/4
▼2 23 |
| 100 | 1 |
▼a Kaganovsky, Lilya,
▼e author. |
| 245 | 14 |
▼a The voice of technology :
▼b Soviet cinema's transition to sound, 1928-1935/
▼c Lilya Kaganovsky.
▼h [electronic resource]. |
| 260 | 1 |
▼a Bloomington, Indiana:
▼b Indiana University Press,
▼c [2018]. |
| 300 | |
▼a 1 online resource. |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Cover; THE VOICE OF TECHNOLOGY; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Translation and Transliteration; Prologue; Introduction: The Long Transition: Soviet Cinema and the Coming of Sound; one The Voice of Technology and the End of Soviet Silent Film: Grigori Kozintsev and Leonid Traubergâ#x80;#x99;s Alone; two The Materiality of Sound: Dziga Vertovâ#x80;#x99;s Enthusiasm and Esfir Shubâ#x80;#x99;s K.Sh.E.; three The Homogeneous Thinking Subject, or Soviet Cinema Learns to Sing: Igor Savchenkoâ#x80;#x99;s The Accordion |
| 505 | 8 |
▼a Four Multilingualism and Heteroglossia in Aleksandr Dovzhenkoâ#x80;#x99;s Ivan and Aerogradfive â#x80;#x9C;Les Silences de la voixâ#x80;#x9D;: Dziga Vertovâ#x80;#x99;s Three Songs of Lenin; Conclusion: Socialist Realist Sound; Works Cited; Index |
| 520 | |
▼a As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema's Transition to Sound, 1928-1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically influenced the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the "Soviet Voice." |
| 588 | 0 |
▼a Print version record. |
| 590 | |
▼a Added to collection customer.56279.3 - Master record variable field(s) change: 072 |
| 650 | 0 |
▼a Sound motion pictures
▼z Soviet Union
▼x History. |
| 650 | 0 |
▼a Motion pictures
▼z Soviet Union. |
| 650 | 0 |
▼a Motion picture industry
▼z Soviet Union. |
| 650 | 0 |
▼a Motion pictures
▼x Political aspects
▼z Soviet Union. |
| 650 | 7 |
▼a PERFORMING ARTS / Reference
▼2 bisacsh |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a KAGANOVSKY, LILYA.
▼t VOICE OF TECHNOLOGY.
▼d [Place of publication not identified] : INDIANA UNIV PRESS, 2018
▼z 025303504X
▼w (OCoLC)1007083608 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1730521 |
| 938 | |
▼a Project MUSE
▼b MUSE
▼n muse67457 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL5314508 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1730521 |
| 990 | |
▼a ***1008102 |
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▼a E-BOOK |
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▼a 92
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