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020 ▼a 9781085656931
035 ▼a (MiAaPQ)AAI13897820
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 781
1001 ▼a Bird, David.
24510 ▼a Mixed Media and Metaphor: An Analysis of the Performance Technologies Utilized in Drop and Decoder.
260 ▼a [S.l.]: ▼b Columbia University., ▼c 2019.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2019.
300 ▼a 53 p.
500 ▼a Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
500 ▼a Includes supplementary digital materials.
500 ▼a Advisor: Lewis, George E.
5021 ▼a Thesis (D.M.A.)--Columbia University, 2019.
506 ▼a This item must not be sold to any third party vendors.
506 ▼a This item must not be added to any third party search indexes.
520 ▼a This research examines two pieces composed by me: Drop, for string octet, strobe lights, and electronic sounds (2015), and Decoder, for MIDI drums, holographic projections, and electronic sounds (2017). Both works interrogate a particular manifestation of digital technology: in the case of Drop, strobe lights, and in Decoder, digital screens. This process involves unpacking the character, language, and associations of a particular technology, and exploring how human performance complements, opposes, and negotiates with these elements. My analysis highlights the influence of Post-Digitalism in my work and aims to show how mixed-media performance technologies function metaphorically, and how their influence can be traced from their physical presence on stage to notated gestures in performance.
590 ▼a School code: 0054.
650 4 ▼a Musical composition.
690 ▼a 0214
71020 ▼a Columbia University. ▼b Music.
7730 ▼t Dissertations Abstracts International ▼g 81-02A.
773 ▼t Dissertation Abstract International
790 ▼a 0054
791 ▼a D.M.A.
792 ▼a 2019
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15491883 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 202002 ▼f 2020
990 ▼a ***1008102
991 ▼a E-BOOK