| LDR | | 00000nam u2200205 4500 |
| 001 | | 000000432938 |
| 005 | | 20200225105307 |
| 008 | | 200131s2019 ||||||||||||||||| ||eng d |
| 020 | |
▼a 9781392487082 |
| 035 | |
▼a (MiAaPQ)AAI22589907 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
| 082 | 0 |
▼a 305 |
| 100 | 1 |
▼a Phillips, Marion Elizabeth. |
| 245 | 10 |
▼a Colette, Leduc, Despentes: The Ordinary, the Failed, and the Abject =
▼b Colette, Leduc, Despentes : L'ordinaire, l'echoue, et l'abjet. |
| 260 | |
▼a [S.l.]:
▼b University of California, Berkeley.,
▼c 2019. |
| 260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2019. |
| 300 | |
▼a 149 p. |
| 500 | |
▼a Source: Dissertations Abstracts International, Volume: 81-06, Section: A. |
| 500 | |
▼a Advisor: Lucey, Michael. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of California, Berkeley, 2019. |
| 506 | |
▼a This item must not be sold to any third party vendors. |
| 520 | |
▼a This dissertation explores how the concepts of the ordinary, of failure, and of abjection shape the works of three French women writers across the twentieth century and into the twenty-first. I engage with theories of the quotidian, queer and affect theory, feminist literary criticism and work on life-writing, and sexuality studies. Each of the writers under investigation here demands a reorientation to their texts from readers, as styles and subject matter shift to challenge patriarchal discourse.I focus on the last two original works of Colette (1873-1954), which experiment with her short forms and observational style. I connect her insistence on material objects to the everyday existence and corporeal realities of an aging writer. I then turn to Violette Leduc (1907-1972), a little-known protegee of Simone de Beauvoir whose writings on love and sex between women were censored by her publishers. Finally, I connect Colette's fashioning of feminine identity to that which is systematically dismantled by Virginie Despentes. Despentes (1965- ), a punk rocker and lesbian activist, tests the limits between cinema and pornography in her films and between feminist theory, philosophy, autobiography, and noir fiction in her writing. She portrays a postcolonial, multiracial, and fractured contemporary French society in her sweeping literary frescoes.This study prioritizes descriptions of embodied experience and challenges representations of female desires and sexualities. It also considers failure as a strategy for critiquing systems of power that invalidate, silence, and objectify women and women's writing. After discussing the difficulties in expressing written accounts of the ordinary and the abject, I explore potential ruptures and continuities for Cixous's ecriture feminine as well as the category of women's writing. |
| 590 | |
▼a School code: 0028. |
| 650 | 4 |
▼a French literature. |
| 650 | 4 |
▼a Gender studies. |
| 650 | 4 |
▼a LGBTQ studies. |
| 690 | |
▼a 0205 |
| 690 | |
▼a 0733 |
| 690 | |
▼a 0492 |
| 710 | 20 |
▼a University of California, Berkeley.
▼b French. |
| 773 | 0 |
▼t Dissertations Abstracts International
▼g 81-06A. |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0028 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2019 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15493190
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
| 980 | |
▼a 202002
▼f 2020 |
| 990 | |
▼a ***1008102 |
| 991 | |
▼a E-BOOK |