| LDR | | 00000nam u2200205 4500 |
| 001 | | 000000433616 |
| 005 | | 20200225150531 |
| 008 | | 200131s2019 ||||||||||||||||| ||eng d |
| 020 | |
▼a 9781085773034 |
| 035 | |
▼a (MiAaPQ)AAI13885079 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
| 082 | 0 |
▼a 780 |
| 100 | 1 |
▼a Tkalych, Lisa Diane Snyder. |
| 245 | 10 |
▼a Felix Mendelssohn as Romantic Conductor. |
| 260 | |
▼a [S.l.]:
▼b Princeton University.,
▼c 2019. |
| 260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2019. |
| 300 | |
▼a 271 p. |
| 500 | |
▼a Source: Dissertations Abstracts International, Volume: 81-04, Section: A. |
| 500 | |
▼a Advisor: Burnham, Scott. |
| 502 | 1 |
▼a Thesis (Ph.D.)--Princeton University, 2019. |
| 506 | |
▼a This item must not be sold to any third party vendors. |
| 506 | |
▼a This item must not be added to any third party search indexes. |
| 520 | |
▼a This dissertation explores Felix Mendelssohn as the prototypical Romantic baton conductor in Germany and England. Drawing extensively on German and English music criticism from the 1830s and 1840s as well as memoirs and letters, my project is the first large-scale attempt to illuminate how Mendelssohn's contemporaries understood his authoritative conducting at a time before there was a critical language for discussing the conductor's role in musical performance. The dissertation is structured as a chronological unfolding of a typical Gewandhaus Orchestra concert under Mendelssohn's tenure (1835-1847), with chapters on the overture, concerto, and symphony. Each chapter focuses on Mendelssohn's overlapping roles as conductor, composer, and performer as well as his progressive influence on orchestral repertoire and listening culture.Chapter 1 presents performance reviews of Mendelssohn's Calm Sea and Prosperous Voyage overture and how critics' perceptions of the music changed according to whether Mendelssohn or someone else led the orchestra. Chapter 2 surveys Mendelssohn's spiritually animated performances and cadenzas in the piano concertos of Bach, Mozart, and Beethoven. I argue that Mendelssohn's pianism and celebrated concertos established him as the heir to the classical piano concerto. Chapter 3 discusses Mendelssohn's state-of-the-art performances of Beethoven's symphonies, which comprised one-third of all symphonies heard at the Gewandhaus during these years. Mendelssohn's Leipzig displaced Vienna as the center for classical and contemporary symphonic performance |
| 590 | |
▼a School code: 0181. |
| 650 | 4 |
▼a Music history. |
| 690 | |
▼a 0208 |
| 710 | 20 |
▼a Princeton University.
▼b Music. |
| 773 | 0 |
▼t Dissertations Abstracts International
▼g 81-04A. |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0181 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2019 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15491412
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
| 980 | |
▼a 202002
▼f 2020 |
| 990 | |
▼a ***1816162 |
| 991 | |
▼a E-BOOK |