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020 ▼a 9781392546017
035 ▼a (MiAaPQ)AAI22619727
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 950
1001 ▼a Keo, Siti Galang.
24510 ▼a Writing the Postcolonial City: Phnom Penh and Modernity during Sangkum Reastr Niyum, 1955-1970.
260 ▼a [S.l.]: ▼b University of California, Berkeley., ▼c 2019.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2019.
300 ▼a 172 p.
500 ▼a Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
500 ▼a Advisor: Zinoman, Peter B.
5021 ▼a Thesis (Ph.D.)--University of California, Berkeley, 2019.
506 ▼a This item must not be sold to any third party vendors.
506 ▼a This item must not be added to any third party search indexes.
520 ▼a This dissertation examines novels, essays, films and songs of the Sangkum Reastr Niyum period, 1955-1970, to explore the layers of meanings Cambodians held of Phnom Penh. After the Geneva Accords in 1954, Phnom Penh emerged as the capital city of a newly independent nation-state, the Kingdom of Cambodia. The city under French colonial rule was secondary to Hanoi and Saigon, but once Indochina dissolved, its population exponentially increased. Phnom Penh was at the center of Cambodia's road networks, its banking system, and was home to the best universities and schools. The many jobs and opportunities attracted rural migrants to the city. The population boom was one of the many ways Phnom Penh transformed. Norodom Sihanouk, then the head of state, made Phnom Penh the epicenter of government modernization projects. Under his watch, the capital transformed from being a marshy, provincial hub into an exciting scene of cosmopolitan innovation. Urban Cambodians combined ideas from Le Corbusier with traditional Khmer architectural details to design their "modern" buildings. Their songs were influenced by the French singer Johnny Halliday and the American Wilson Pickett. They wrote novels that built upon the ideas found in Buddhism and French Existentialism. Through their works, urban intellectuals sought to define a Cambodian identity independent of French colonialism. Phnom Penh, with its new roads, many schools, bars and publishing houses, was a space where Cambodians became modern and developed new identities, such as the neary samey tmey and the pannavoan.These changes to the landscape and social composition of Phnom Penh engendered a new consciousness amongst Cambodian intellectuals. Their writings expressed a concern over changes in heterosexual relationships and the behavior of Cambodians in public spaces. To some, not all the changes were good. They mourned the marshes and wooden shacks that asphalt and concrete had replaced. They were aware of ruptures, loss, and fragmentation. This consciousness of the new amongst urban Cambodian intellectuals is what I term postcolonial modernity. This study contributes to the history of Sangkum Reastr Niyum by taking seriously the historical value of Cambodian writings and focuses the lives of everyday urban Cambodians. It describes the Sangkum period as a time of unprecedent change that witnessed the emergence of a new urban middle class.
590 ▼a School code: 0028.
650 4 ▼a Southeast Asian studies.
650 4 ▼a Asian history.
690 ▼a 0222
690 ▼a 0332
71020 ▼a University of California, Berkeley. ▼b History.
7730 ▼t Dissertations Abstracts International ▼g 81-05A.
773 ▼t Dissertation Abstract International
790 ▼a 0028
791 ▼a Ph.D.
792 ▼a 2019
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15493651 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 202002 ▼f 2020
990 ▼a ***1008102
991 ▼a E-BOOK