| LDR | | 00000nam u2200205 4500 |
| 001 | | 000000434851 |
| 005 | | 20200227110325 |
| 008 | | 200131s2019 ||||||||||||||||| ||eng d |
| 020 | |
▼a 9781392673751 |
| 035 | |
▼a (MiAaPQ)AAI27547670 |
| 040 | |
▼a MiAaPQ
▼c MiAaPQ
▼d 247004 |
| 082 | 0 |
▼a 320 |
| 100 | 1 |
▼a Ekanayake, Aruna . |
| 245 | 10 |
▼a Cinema and Decolonization: Rethinking Incarceration, Immigration, and the Police(d) State in the Post Civil Rights Era. |
| 260 | |
▼a [S.l.]:
▼b University of California, Los Angeles.,
▼c 2019. |
| 260 | 1 |
▼a Ann Arbor:
▼b ProQuest Dissertations & Theses,
▼c 2019. |
| 300 | |
▼a 286 p. |
| 500 | |
▼a Source: Dissertations Abstracts International, Volume: 81-05, Section: A. |
| 500 | |
▼a Advisor: Noriega, Chon A. |
| 502 | 1 |
▼a Thesis (Ph.D.)--University of California, Los Angeles, 2019. |
| 506 | |
▼a This item must not be sold to any third party vendors. |
| 520 | |
▼a In this dissertation I consider how independent cinema of the post civil rights era represents and negotiates tropes of internal colonialism in the United States. Though earlier filmmakers address issues related to domestic subjugation, a subset of films made by marginalized-identity filmmakers from the post civil rights era stand out because they work to expose socio-political elements of a period where the subjugation of marginalized-identity citizens and residents within the United States continues in varying and often veiled ways in spite of new civil rights legislation. The outward and sometimes legalized racism that preceded civil rights movement in America was reformed only to make way for a deeper seeded legal infrastructure of apartheid and exploitation stemming from three main staples of coloniality: incarceration, immigration control, and a police(d) state. In three chapters I conduct a phenomenological analysis of several films that directly and indirectly address tropes of internal colonization in the United States. I begin my analysis by considering the cinematic rendering of prison and home as interchangeable in the context of internal coloniality. I follow by considering the border-breaching / border-making practice of colonization, a practice that informs my interrogation of issues regarding, migration, autochthonous agency, and ethnographic filmmaking. I conclude with a look at films that seek to outline tactics for resisting the indoctrination or policing inherent in coloniality |
| 590 | |
▼a School code: 0031. |
| 650 | 4 |
▼a Film studies. |
| 650 | 4 |
▼a Ethnic studies. |
| 650 | 4 |
▼a Public policy. |
| 690 | |
▼a 0900 |
| 690 | |
▼a 0631 |
| 690 | |
▼a 0630 |
| 710 | 20 |
▼a University of California, Los Angeles.
▼b Film & TV 0010. |
| 773 | 0 |
▼t Dissertations Abstracts International
▼g 81-05A. |
| 773 | |
▼t Dissertation Abstract International |
| 790 | |
▼a 0031 |
| 791 | |
▼a Ph.D. |
| 792 | |
▼a 2019 |
| 793 | |
▼a English |
| 856 | 40 |
▼u http://www.riss.kr/pdu/ddodLink.do?id=T15494511
▼n KERIS
▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
| 980 | |
▼a 202002
▼f 2020 |
| 990 | |
▼a ***1008102 |
| 991 | |
▼a E-BOOK |