MARC보기
LDR00000nam u2200205 4500
001000000436571
00520200228144834
008200131s2016 ||||||||||||||||| ||eng d
020 ▼a 9781687910684
035 ▼a (MiAaPQ)AAI10191852
040 ▼a MiAaPQ ▼c MiAaPQ ▼d 247004
0820 ▼a 200
1001 ▼a Stavis, Jesse.
24510 ▼a Conversion as Narrative: Radical Personal Transformation in the Life and Art of L. N. Tolstoy, 1879-1910.
260 ▼a [S.l.]: ▼b The University of Wisconsin - Madison., ▼c 2016.
260 1 ▼a Ann Arbor: ▼b ProQuest Dissertations & Theses, ▼c 2016.
300 ▼a 297 p.
500 ▼a Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
500 ▼a Advisor: Shevelenko, Irina.
5021 ▼a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2016.
506 ▼a This item must not be sold to any third party vendors.
506 ▼a This item must not be added to any third party search indexes.
520 ▼a This study focuses on representations of radical personal transformation in a number of fictional, autobiographical, and publicistic works dating from L. N. Tolstoy's late period (1879-1910). I posit that Tolstoy's account of his own conversion was neither an accurate portrayal of the writer's lived experience nor a complete fabrication. Rather, it represented a highly stylized narrative account that mixed truth with fiction. Ironically, the transformation that supposedly signaled Tolstoy's rejection of his earlier literary productions largely reiterated a model of personal transformation that was first developed in those very works. An approach that treats Tolstoy's own conversion as the reiteration of a narrative structure rather than as a fundamentally new experience allows us to draw broader conclusions regarding his artistic evolution and the evolution of the Russian realist tradition as a whole. The study includes three chapters. The first chapter discusses the evolution of the field of conversion studies from its inception in the late nineteenth century to the present day, and argues for a narratological approach to conversion, one that frames the phenomenon as a textual representation of spiritual experience rather than as a category of experience itself. The second chapter is primarily devoted to an analysis of Tolstoy's Confession. While critics have often viewed the text as a more or less accurate autobiographical account, I demonstrate its fictive nature through a comparison of the autobiographical account that Tolstoy presents and the documentary evidence regarding the events in question. The chapter concludes with a brief discussion of several fictional productions that were composed in the 1880s and 1890s. The third chapter presents a close reading of Tolstoy's last major novel, Resurrection. While the work has long been seen as an artistically flawed attempt to express late Tolstoyan moral teachings and political critiques in the form of a fictional narrative, I argue that it can also be read as a subtle meditation on the limitations of its author's own claimed conversion. This interpretation is supported by an analysis of Father Sergius, a text in which the element of self-criticism is presented in a far more explicit form.
590 ▼a School code: 0262.
650 4 ▼a Slavic literature.
650 4 ▼a Religion.
690 ▼a 0314
690 ▼a 0318
71020 ▼a The University of Wisconsin - Madison. ▼b Slavic Languages & Literature.
7730 ▼t Dissertations Abstracts International ▼g 81-04A.
773 ▼t Dissertation Abstract International
790 ▼a 0262
791 ▼a Ph.D.
792 ▼a 2016
793 ▼a English
85640 ▼u http://www.riss.kr/pdu/ddodLink.do?id=T15490188 ▼n KERIS ▼z 이 자료의 원문은 한국교육학술정보원에서 제공합니다.
980 ▼a 202002 ▼f 2020
990 ▼a ***1816162
991 ▼a E-BOOK