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019 ▼a 1124380116
020 ▼a 9780253044891 ▼q (electronic bk.)
020 ▼a 0253044898 ▼q (electronic bk.)
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050 4 ▼a GN347
08204 ▼a 305.8 ▼2 23
1001 ▼a Kalantzis, Konstantinos, ▼e author.
24510 ▼a Tradition in the frame : ▼b photography, power, and imagination in Sfakia, Crete/ ▼c Konstantinos Kalantzis. ▼h [electronic resource].
260 1 ▼a Bloomington: ▼b Indiana University Press, ▼c [2019].
300 ▼a 1 online resource (xv, 321 pages).
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a New anthropologies of Europe
5050 ▼a Cover; Title Page; Copyright; Contents; List of Illustrations; List of Maps; Acknowledgments; Note on Transliteration; Introduction; Part I. Spatial and National Contexts; 1. Driving Up the Yellow Lines: Geography and Imagination; 2. Sfakians in the Nation-State; Part II. On Power; 3. Mountain Men as Photographic Subjects andSpectators; 4. Performing the Stereotype: Between Containment and "Recalcitrant Alterity"; 5. The Experiential in the Fictive: A Film Shoot as Visceral History; 6. Who Is Imagining? The Encounter between Shepherds and Scientists; Part III. Modernity and Its Discontents
5058 ▼a 7. Polluting Modernity, Disturbing Pasts: Photography and Montage Logic8. Sfakians and Tourists; Epilogue; References; Index; About the Author
520 ▼a Sfakians on the island of Crete are known for their distinctive dress and appearance, fierce ruggedness, and devotion to traditional ways. Konstantinos Kalantzis explores how Sfakians live with the burdens and pleasures of maintaining these expectations of exoticism for themselves, for their fellow Greeks, and for tourists. Sfakian performance of masculine tradition has become even more meaningful for Greeks looking to reimagine their nation's global standing in the wake of stringent financial regulation, and for non-Greek tourists yearning for rootedness and escape from the post-industrial north. Through fine-grained ethnography that pays special attention to photography, Tradition in the Frame explores the ambivalence of a society expected to conform to outsiders' perception of the traditional even as it strives to enact its own vision of tradition. From the bodily reenactment of historical photographs to the unpredictable, emotionally-charged uses of postcards and commercial labels, the book unpacks the question of power and asymmetry but also uncovers other political possibilities that are nested in visual culture and experiences of tradition and the past. Kalantzis explores the crossroads of cultural performance and social imagination where the frame is both empowerment and subjection.
5880 ▼a Print version record.
650 0 ▼a Photography in ethnology ▼z Greece ▼z Sphakia District.
650 0 ▼a Tourism ▼z Greece ▼z Sphakia District.
650 0 ▼a Masculinity ▼z Greece ▼z Sphakia District.
650 7 ▼a PHOTOGRAPHY ▼x Criticism. ▼2 bisacsh
650 7 ▼a Manners and customs. ▼2 fast ▼0 (OCoLC)fst01007815
650 7 ▼a Masculinity. ▼2 fast ▼0 (OCoLC)fst01011027
650 7 ▼a Photography in ethnology. ▼2 fast ▼0 (OCoLC)fst01061856
650 7 ▼a Tourism. ▼2 fast ▼0 (OCoLC)fst01153142
651 0 ▼a Sphakia District (Greece) ▼x Social life and customs.
651 7 ▼a Greece ▼z Sphakia District. ▼2 fast ▼0 (OCoLC)fst01245916
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a KALANTZIS, Konstantinos. ▼t Tradition in the Frame : Visual Culture and Hegemony in Highland Crete. ▼d Bloomington : Indiana University Press, ©2019
830 0 ▼a New anthropologies of Europe.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2246696
938 ▼a ProQuest Ebook Central ▼b EBLB ▼n EBL5894031
938 ▼a Recorded Books, LLC ▼b RECE ▼n rbeEB00777393
938 ▼a EBSCOhost ▼b EBSC ▼n 2246696
990 ▼a ***1008102
991 ▼a E-BOOK