| LDR | | 07933cam a2200649 i 4500 |
| 001 | | 000000479859 |
| 005 | | 20230210094122 |
| 006 | | m d |
| 007 | | cr ||||||||||| |
| 008 | | 200507t20202021enka ob 001 0 eng |
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▼a 2020021229 |
| 019 | |
▼a 1225354889
▼a 1227062722 |
| 020 | |
▼a 9781474239738
▼q (electronic book) |
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▼a 1474239730
▼q (electronic book) |
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▼a 9781474239721
▼q (ePDF) |
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▼a 1474239722
▼q (ePDF) |
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▼a 9781474239714
▼q (electronic book) |
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▼a 1474239714
▼q (electronic book) |
| 020 | |
▼z 9781474239707
▼q (hardcover) |
| 020 | |
▼z 1474239706
▼q (hardcover) |
| 035 | |
▼a 2678771
▼b (N$T) |
| 035 | |
▼a (OCoLC)1154118123
▼z (OCoLC)1225354889
▼z (OCoLC)1227062722 |
| 040 | |
▼a DLC
▼b eng
▼e rda
▼e pn
▼c DLC
▼d OCLCO
▼d OCLCF
▼d UKAHL
▼d YDX
▼d BLOOM
▼d OCLCQ
▼d N$T
▼d SFB
▼d OCLCO
▼d OCL
▼d YWS
▼d OCLCQ
▼d 247004 |
| 042 | |
▼a pcc |
| 050 | 04 |
▼a NK3780
▼b .G74 2020 |
| 082 | 00 |
▼a 738.09
▼2 23 |
| 100 | 1 |
▼a Greenhalgh, Paul,
▼d 1955 October 21-
▼e author. |
| 245 | 10 |
▼a Ceramic, art and civilisation/
▼c Paul Greenhalgh. |
| 264 | 1 |
▼a London ;
▼a New York :
▼b Bloomsbury Visual Arts,
▼c 2020. |
| 264 | 4 |
▼c 짤2021 |
| 300 | |
▼a 1 online resource (512 pages):
▼b illustrations (chiefly color). |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 500 | |
▼a "EBook editions first published in Great Britain 2020. Print editions first published in Great Britain 2021"--Copyright page |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 8 |
▼a 1. History, the Collective, and the Individual -- 2. The Renaissance Man -- 3. The Palissystes -- 4. The Salt Renaissance -- 5. Prose and Poetry -- 6. The Nature of Slip -- 7. Configuring Life -- 8. The Arrival of America -- 9. Conclusion: The Ingredients of Modernity CHAPTER 7: THE ACCELERATION OF STYLE AND THE ARRIVAL OF THE MODERN -- 1. Decoration, Complication, and Anxiety -- 2. The Last Transformer: Another Modernity -- 3. Institutionalisation -- 4. Exhibitions -- 5. Ugliness and the Era -- 6. The Invention of Style -- 7. Design Reform and the Ingredients of Modern Design -- 8. The Meaning of Majolica -- 9. The Vortex of Large-scale Production -- 10. The Republic of Tile -- 11. Ceramic Hell -- 12. Gender -- 13. Exoticism -- 14. The Designer -- 15. The Art Nouveau style -- 16. Conclusion: High Eclecticism to Art Nouveau CHAPTER 8: THE STUDIO ARRIVES -- 1. A Modern Place -- 2. Art Pottery -- 3. Defining Art -- 4. The Invention of Craft -- 5. The Completeness of Existence -- 6. The Artist-potter -- 7. E?migrs? -- 8. Art Deco -- 9. The International Style -- 10. Mid-century Modern -- 11. Potters and Painters -- 12. Conclusion: A World is Formed CHAPTER 9: THE CREATIVE EXPLOSION -- 1. Thunderous Emotion -- 2. Another Modernity -- 3. The World of Funk -- 4. Conceptualism and Minimalism -- 5. A New Arena -- 6. New American Symbolism -- 7. The Ceramic Landscape -- 8. Abstract Vessels -- 9. Postmodernism -- 10. The New Ornamentalism -- 11. Conclusion: The Potter Now Postscript: Attica to California Notes Bibliography Index About the Author. |
| 505 | 0 |
▼a Acknowledgements Prologue: A History in Shards CHAPTER -- 1. WHAT CERAMIC IS -- 1. Fundamentals -- 2. Stuff of the Earth -- 3. The Art of Heat -- 4. The Potter -- 5. Nomenclature and Culture -- 6. The Ceramic Continuum -- 7. Transformers: Classicism, Islam, China, and the Modern -- 8. The Discipline -- 9. Industry and the Levels of Production -- 10. Ubiquity: The Plastic of the Ancient World -- 11. Telling Stories -- 12. Civilisation, Power, and Domestic Life -- 13. Conclusion: Western Ceramic CHAPTER 2: THE VALUE OF THE GREEK POTTER -- 1. The World in Black and Red -- 2. Positioning the Pots -- 3. The Earlier Greek World -- 4. Reducing Iron and Oxygen -- 5. Who Were These People? -- 6. Secular Life -- 7. Anachronism, the Value, and the Price of Things -- 8. The Value and the Price of Things -- 9. Conclusion: The Spread of Red and Black CHAPTER 3: ROME AND THE ARRIVAL OF THE MEDIEVAL WORLD -- 1. The Feel of Roman Pots -- 2. Red Gloss -- 3. The Pots of Empire -- 4. Greece, Rome, and the Classical Idea -- 5. Standardisation -- 6. Dark, Light, an End and a Beginning -- 7. Europe: The Coarse and the Local -- 8. Revivalism and the Vernacular -- 9. Conclusion: The Classical Heritage CHAPTER 4: RENAISSANCES OF TIN -- 1. The Chemistry of Islam -- 2. Islam and Ceramic History -- 3. The Pottery Revolution -- 4. Islam in Europe -- 5. Renaissance Pots -- 6. Colour, Line and Life -- 7. Secular Life -- 8. Pottery and Painting -- 9. Quantity, Quality, and Status -- 10. The Arrival of the Meal -- 11. Sculptural Form -- 12. Italian Potters and Potteries -- 13. Renaissances -- 14. Conclusion: a European Ethos CHAPTER 5: THE ENLIGHTENED REIGN OF WHITE -- 1. Chinese Pots -- 2. Technology, Style, Confidence -- 3. Porcelain City -- 4. China in Europe -- 5. The Quest for a European Porcelain -- 6. The Porcelain Explosion -- 7. Blue, White, War, and Peace -- 8. Delftware -- 9. Frivolity and Melancholy: the Figurine Reinvented -- 10. The Rise of Staffordshire -- 11. Conclusion: Modern Whiteness CHAPTER 6: THE NATURAL AND THE INDIVIDUAL: LEAD, SLIP, STONE, SALT. |
| 520 | |
▼a "In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millenia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects"--
▼c Provided by publisher |
| 588 | 0 |
▼a Online resource; title from digital title page (viewed on February 04, 2021). |
| 590 | |
▼a WorldCat record variable field(s) change: 650 |
| 650 | 0 |
▼a Pottery
▼x History. |
| 650 | 0 |
▼a Civilization
▼x History. |
| 650 | 6 |
▼a Civilisation
▼x Histoire. |
| 650 | 6 |
▼a Livres nume?riques. |
| 650 | 7 |
▼a e-books.
▼2 aat |
| 650 | 7 |
▼a Pottery, ceramics & glass crafts.
▼2 bicssc |
| 650 | 7 |
▼a Electronic books.
▼2 fast
▼0 (OCoLC)fst00906854 |
| 650 | 7 |
▼a Civilization.
▼2 fast
▼0 (OCoLC)fst00862898 |
| 650 | 7 |
▼a Pottery.
▼2 fast
▼0 (OCoLC)fst01073579 |
| 655 | 7 |
▼a History.
▼2 fast
▼0 (OCoLC)fst01411628 |
| 776 | 08 |
▼i Print version:
▼a Greenhalgh, Paul, 1955 October 21-
▼t Ceramic art and civilisation.
▼d London ; New York : Bloomsbury Visual Arts, 2021
▼z 9781474239707
▼w (DLC) 2020021228 |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2678771 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 2678771 |
| 990 | |
▼a ***1818828 |
| 991 | |
▼a E-BOOK |
| 994 | |
▼a 92
▼b N$T |