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008210331t20222022enka obq 001 0 eng
010 ▼a 2021006942
020 ▼a 9781350118973 ▼q electronic book
020 ▼a 1350118974 ▼q electronic book
020 ▼a 9781350118980 ▼q electronic book
020 ▼a 1350118982 ▼q electronic book
020 ▼a 9781350118966 ▼q electronic book
020 ▼a 1350118966 ▼q electronic book
020 ▼z 9781350118959 ▼q hardcover
020 ▼z 1350118958 ▼q hardcover
0247 ▼a 10.5040/9781350118980 ▼2 doi
035 ▼a 3021085 ▼b (N$T)
035 ▼a (OCoLC)1238133390
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d BLOOM ▼d OCLCO ▼d OCLCF ▼d OCL ▼d EBLCP ▼d YDX ▼d NLW ▼d N$T ▼d YDX ▼d 247004
042 ▼a pcc
043 ▼a a-cc---
05004 ▼a NC1766.C6 ▼b C47 2022
08200 ▼a 741.5/80951 ▼2 23
1001 ▼a Chen, Shaopeng, ▼e author.
24514 ▼a The new generation in Chinese animation/ ▼c Shaopeng Chen.
264 1 ▼a London, UK ; ▼a New York, NY : ▼b Bloomsbury Academic, ▼c 2022.
264 4 ▼c 짤2022
300 ▼a 1 online resource: ▼b color illustrations.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a World cinema series
504 ▼a Includes bibliographical references, filmography and index.
5050 ▼a 1. Introduction: passing the torch of Chinese cinema animation to a new generation -- 2. The Chinese animation blockbuster at the turn of the century: Lotus Lantern and beyond -- 3. Cross-generational appeal, social supervision and media convergence: the derivative films and Boonie Bears series -- 4. Original Chinese cinema animation and Kuiba series: commerciality, originality and cultural hybridity -- 5. Monkey King: hero is back and the new direction of Chinese cinema animation -- 6. Conclusion.
520 ▼a "In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian Deng (1999) responded to competition from American imports such as The Lion King (1994), retaining Chinese iconography while at the same time adopting Hollywood aesthetics and techniques. Addressing the series Boonie Bears/Xiong Chumo (2014-5), Chen focuses on the films' adaptation from the original TV series, and how the films were promoted across generations and by means of both online and offline channels. Discussing the series Kuiba/Kui Ba (2011, 2013, 2014), Chen examines Vasoon Animation Studio's ambitious attempt to create the first Chinese-style high fantasy fictional universe, and considers why the first film was a critical success but a failure at the box-office. He also explores the relationship between Japanese anime and new generation Chinese animation. Finally, Chen considers how word-of-mouth social media engagement lay behind the success of Monkey King: Hero is Back (2015)"-- ▼c Provided by publisher.
5320 ▼a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
588 ▼a Description based on online resource; title from digital title page (viewed on February 01, 2022).
590 ▼a WorldCat record variable field(s) change: 050
648 7 ▼a 1900-2099 ▼2 fast
650 0 ▼a Animated films ▼z China ▼x History ▼y 20th century.
650 0 ▼a Animated films ▼z China ▼x History ▼y 21st century.
650 0 ▼a Animated film industry ▼z China ▼x History ▼y 20th century.
650 0 ▼a Animated film industry ▼z China ▼x History ▼y 21st century.
650 7 ▼a Films, cinema. ▼2 bicssc
650 7 ▼a History ▼x Asia ▼x China. ▼2 bisacsh
650 7 ▼a Performing Arts ▼x Animation. ▼2 bisacsh
650 7 ▼a Animated film industry. ▼2 fast ▼0 (OCoLC)fst01923001
650 7 ▼a Animated films. ▼2 fast ▼0 (OCoLC)fst00809611
650 7 ▼a Animation (Cinematography) ▼2 fast ▼0 (OCoLC)fst00809628
651 7 ▼a China. ▼2 fast ▼0 (OCoLC)fst01206073
655 7 ▼a Criticism, interpretation, etc. ▼2 fast ▼0 (OCoLC)fst01411635
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Chen, Shaopeng ▼t The new generation in Chinese animation ▼d London New York : Bloomsbury Academic, 2021. ▼z 9781350118959 ▼w (DLC) 2021006941
830 0 ▼a Tauris world cinema series.
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3021085
938 ▼a EBSCOhost ▼b EBSC ▼n 3021085
990 ▼a ***1818828
991 ▼a E-BOOK
994 ▼a 92 ▼b N$T