자료유형 | 학위논문 |
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서명/저자사항 | Keeping Up Appearances: Fidelity and Performance Issues in the Operatic Adaptation of Jane Austen's Mansfield Park. |
개인저자 | Martin, Meagan Gale Charlly. |
단체저자명 | University of California, Los Angeles. Music 0579. |
발행사항 | [S.l.]: University of California, Los Angeles., 2019. |
발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
형태사항 | 192 p. |
기본자료 저록 | Dissertations Abstracts International 81-02A. Dissertation Abstract International |
ISBN | 9781085667371 |
학위논문주기 | Thesis (D.M.A.)--University of California, Los Angeles, 2019. |
일반주기 |
Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Advisor: Chernov, Vladimir |
이용제한사항 | This item must not be sold to any third party vendors. |
요약 | In this dissertation, I investigate the context and emergence of Jane Austen's novels as operatic source material, with a particular focus on the transformation of her third novel for Jonathan Dove and Alasdair Middleton's Mansfield Park opera. I consider the mutable concept of fidelity both as it relates to historically informed staging, costuming, and deportment and to the transfer of an original work to a new medium. I have assembled passages from etiquette and conduct manuals from the Regency period in order to assist current performers and directors in infusing greater believability into their performances through an understanding of the social nuances and distinct physicality that characterized the British gentry class of the early nineteenth century. Reflections by composers Rachel DeVore Fogarty (Persuasion), John Morrison (The History of England), Daniel Nelson (Pride and Prejudice), and Aferdian Stephens (Sense and Sensibility) |
일반주제명 | Music. English literature. Theater. |
언어 | 영어 |
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