상세정보
Export to Refworks부가기능
Dancing Dead and Alive: Embodying Icons in Contemporary Dance
상세 프로파일
| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Dancing Dead and Alive: Embodying Icons in Contemporary Dance. |
| 개인저자 | Winberg, Richard. |
| 단체저자명 | New York University. Performance Studies. |
| 발행사항 | [S.l.]: New York University., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 271 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-03A. Dissertation Abstract International |
| ISBN | 9781085670760 |
| 학위논문주기 | Thesis (Ph.D.)--New York University, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Advisor: Lepecki, Andre. |
| 이용제한사항 | This item must not be sold to any third party vendors. |
| 요약 | Dancing Dead and Alive: Embodying Icons in Contemporary Dance investigates five contemporary artists whose multisensorial interactions with forms of archival media become embodied and generate new works of dance performance and dance as visual art. The artists are Fabian Barba, Christian Comte, Molissa Fenley, Richard Move, and Carolee Schneemann. The dissertation proposes and seeks to establish that the corporealization of mediated objects from the archives of these artists' iconic muses-whether a sonic recording, textual document, photograph, or film-transforms these objects, and the artists themselves, into new and original choreographic works. Thus, the dissertation links these artists' shared practice of bringing archival media to new life as the generative source for the creation of their work and is, as the dissertation proposes, poiesis itself. The project offers a detailed analysis of the mechanisms and processual steps of this specific choreographic practice by situating this method within the disciplines of materialist theory, sound studies, affect theory, theories of spectatorship, cinema studies, queer theory, and scholarship in animism. |
| 일반주제명 | Performing arts. Dance. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
