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The artist as monster [electronic resource] : the cinema of David Cronenberg Rev. and expanded
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | The artist as monster [electronic resource] : the cinema of David Cronenberg/ William Beard. |
| 개인저자 | Beard, William,1946-. |
| 판사항 | Rev. and expanded. |
| 발행사항 | Toronto [Ont.]: University of Toronto Press, ?006 (Toronto, Ont. : Scholars Portal, 2015). |
| 형태사항 | 1 online resource (xii, 469 pages). |
| 기타형태 저록 | Print version: Beard, William, 1946- Artist as monster. Rev. and expanded. Toronto ; Buffalo : University of Toronto Press, ?006 0802035698 |
| ISBN | 9781442656703 1442656700 9781442633391 1442633395 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Stereo (1969) -- Crimes of the future (1970) -- Shivers (1975) -- Rabid (1976) -- The brood (1979) -- Scanners (1980) -- Videodrome (1982) -- The dead zone (1983) -- The fly (1986) -- Dead ringers (1988) -- Naked lunch (1991) -- M. Butterfly (1993) -- Crash (1996) -- eXistenZ (1999) -- Spider (2002). |
| 요약 | David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the globe. This is the first book-length scholarly work in English on Cronenberg's films. |
| 주제명(개인명) | Cronenberg, David,1943- -- Criticism and interpretation. Cronenberg, David,1943- -- fast -- |
| 일반주제명 | PERFORMING ARTS --Reference. PERFORMING ARTS / Film & Video / Direction & Production |
| 언어 | 영어 |
| 바로가기 |  |
