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Fragments, Futures, Absence and the Past : a New Approach to Photography
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | Fragments, Futures, Absence and the Past : a New Approach to Photography. |
| 개인저자 | Helmerdig, Silke. |
| 발행사항 | Bielefeld: Transcript Verlag, 2016. |
| 형태사항 | 1 online resource (207 pages). |
| 총서사항 | Image;v. 101 |
| 기타형태 저록 | Print version: Helmerdig, Silke. Fragments, Futures, Absence and the Past : A New Approach to Photography. Bielefeld : transcript Verlag, ?016 9783837636246 |
| ISBN | 9783839436240 3839436249 |
| 서지주기 | Bibliography Books ; Journals ; Websites ; Films ; Acknowledgements. |
| 내용주기 | Cover; Contents ; Introduction. "After Auschwitz" -- photography and the principle of hope ; Chapter 1. Photography and historiography ; Chapter 2. Post-War Germany and its remembrance of the Holocaust ; Chapter 3. The representation of absence in photography ; Chapter 4: Epilogue. Photography: A future subjunctive for the past. |
| 요약 | According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past. |
| 주제명(회의명) | Holocaust, Jewish (1939-1945) fast |
| 주제명(지명) | Germany. --fast |
| 일반주제명 | Documentary photography --History. Historiography and photography. Holocaust, Jewish (1939-1945) Collective memory --Germany --History --20th century. Photography. COMPUTERS --Digital Media --Photography. PHOTOGRAPHY --Reference. TECHNOLOGY & ENGINEERING --Imaging Systems. Collective memory. Documentary photography. Historiography and photography. Photography. |
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