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William Kentridge
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | William Kentridge/ edited by Rosalind E. Krauss. |
| 개인저자 | Krauss, Rosalind E.,editor, Kentridge, William,1955-, |
| 발행사항 | Cambridge, Massachusetts: The MIT Press, [2017]. |
| 형태사항 | 1 online resource (xvi, 187 pages). |
| 총서사항 | October files;21 |
| 기타형태 저록 | Print version: William Kentridge (M.I.T. Press). William Kentridge. Cambridge, Massachusetts : The MIT Press, [2017] 9780262036177 |
| ISBN | 9780262340014 0262340011 |
| 일반주기 |
Includes index.
|
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Carolyn Christov-Bakargiev in conversation with William Kentridge (1999) / Carolyn Christov-Bakargiev and William Kentridge -- "Fortuna" : neither program nor chance in the making of Images (1993) / William Kentridge -- "The Rock" : William Kentridge's drawings for projection (2000) / Rosalind Krauss -- In praise of shadows : the neutral mask (2001) / William Kentridge -- The shadow play as medium of memory in William Kentridge (2013) / Andreas Huyssen -- The other side of the press (2012) / Rosalind Krauss -- Landscape in a site of siege (1988) / William Kentridge -- Drawing the line at a tree-search : the new landscapes of William Kentridge (2015) / Rosalind Morris -- Kentridge's nose (2010) / Maria Gough -- "Whichever page you open" : William Kentridge in New York (2014) / Joseph Leo Koerner and Margaret Koster Koener. |
| 요약 | Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works. The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page--particularly the smudges, smears, and erasures that characterize his stop-animations--define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects" -- From the publisher. |
| 통일서명 | William Kentridge (M.I.T. Press) |
| 주제명(개인명) | Kentridge, William,1955- -- Criticism and interpretation. |
| 일반주제명 | ART / History / General ART / Individual Artists / General |
| 언어 | 영어 |
| 바로가기 |  |
