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The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | The Harmonic Theories of Sigfrid Karg-Elert: Acoustics, Function, Transformation, Perception. |
| 개인저자 | Byrne, David A. |
| 단체저자명 | University of Cincinnati. College-Conservatory of Music: Theory. |
| 발행사항 | [S.l.]: University of Cincinnati., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 951 p. |
| 기본자료 저록 | Dissertation Abstracts International 79-11A(E). Dissertation Abstract International |
| ISBN | 9780438096424 |
| 학위논문주기 | Thesis (Ph.D.)--University of Cincinnati, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
|
| 요약 | This dissertation is the first comprehensive study of the harmonic theories of German composer and music theorist Sigfrid Karg-Elert (1887--1933), whose two major treatises date from the early 1930s. The dissertation's subtitle highlights the fo |
| 요약 | Karg-Elert's treatises synthesize three strains of thought in late nineteenth-century German theory that were previously somewhat self-contained: a model of pitch and harmonic space derived from the pure intervals of just intonation |
| 요약 | Though Karg-Elert generates and explains his pitch space using acoustical and mathematical principles, he ultimately reveals that the space is a model of perception, and that we continue to understand harmonic relations in the pure intervals of |
| 일반주제명 | Music. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
