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Playful Exorcist: Theatrical Representations of Zhong Kui in Ming and Qing Dramas
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Playful Exorcist: Theatrical Representations of Zhong Kui in Ming and Qing Dramas. |
| 개인저자 | Liu, Yilin. |
| 단체저자명 | The University of Wisconsin - Madison. Chinese. |
| 발행사항 | [S.l.]: The University of Wisconsin - Madison., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 293 p. |
| 기본자료 저록 | Dissertation Abstracts International 79-11A(E). Dissertation Abstract International |
| ISBN | 9780438082687 |
| 학위논문주기 | Thesis (Ph.D.)--The University of Wisconsin - Madison, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
Adviser: Rania Huntington. |
| 요약 | This dissertation is a monograph on Zhong Kui "special characters omitted": a deity who was recruited by the Daoist masters in late imperial China and whose divinity was defined by texts, visual representations, and practice. His divine career i |
| 요약 | Moreover, the Zhong Kui plays in the Ming and Qing offer a means by which the deity's multidimensionality in Chinese theaters is observed. He became the embodiment of the intersection of high culture and local traditions, in which the former was |
| 일반주제명 | Asian studies. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
