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Musical Prose and Modular Discourse in Select Works by Brahms
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Musical Prose and Modular Discourse in Select Works by Brahms. |
| 개인저자 | Liu, Lucy Y. |
| 단체저자명 | Indiana University. Music Theory. |
| 발행사항 | [S.l.]: Indiana University., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 264 p. |
| 기본자료 저록 | Dissertation Abstracts International 80-01A(E). Dissertation Abstract International |
| ISBN | 9780438339385 |
| 학위논문주기 | Thesis (Ph.D.)--Indiana University, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 80-01(E), Section: A.
Adviser: Frank Samarotto. |
| 요약 | In the history of Brahms reception, "developing variation" emerged as a central concept. Another suggestive term, "musical prose," often accompanies discussions of developing variation. It originates from Schoenberg's essay "Brahms the Progressi |
| 요약 | This dissertation reconsiders musical prose in light of a number of "prose"-like pieces by Brahms that exhibit almost no developing variation. To accommodate these, I reconceive "musical prose" as encompassing two distinct categories. One is the |
| 요약 | To demonstrate modular procedures at local and higher formal levels, I analyze the following pieces by Brahms: the slow movements of Symphony nos. 1 and 2, the scherzo of Symphony no. 4, the C-major intermezzo of op. 119, and the opening allegre |
| 일반주제명 | Music theory. Music history. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
