상세정보
Export to Refworks부가기능
Memorization: Survey and Application with Special Emphasis on the Left Hand
상세 프로파일
| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Memorization: Survey and Application with Special Emphasis on the Left Hand. |
| 개인저자 | Valchinova, Deyana Ilieva. |
| 단체저자명 | University of Miami. Piano Performance (Music). |
| 발행사항 | [S.l.]: University of Miami., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 135 p. |
| 기본자료 저록 | Dissertation Abstracts International 79-10A(E). Dissertation Abstract International |
| ISBN | 9780355991550 |
| 학위논문주기 | Thesis (D.M.A.)--University of Miami, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 79-10(E), Section: A.
Adviser: Naoko Takao. |
| 요약 | Memorization plays an important role among music performers, especially pianists, since pianists are expected and encouraged to give performances, exams, and juries from memory. Memorization is not often addressed by pedagogues, and students seldom approach memorization with specific techniques and strategies. More importantly, the chief reason for memory slips as well as poor understanding of the music material is not discussed in depth: the left hand. The need for this study stems from the importance of focusing on the left-hand memory, and how to develop practical and sound memorization habits for it. Furthermore, the purpose of the essay is to survey and select approaches appropriate for left-hand memorization. Discussing and reviewing these approaches leads the discussion to finding suitable ways for understanding the left-hand material in its varied forms. The selected memorization strategies are applied to musical examples showcasing the different left-hand arrangements. In chapters two and three the essay surveys a number of important authors on the topics of memorization and Expertise Theory. Additionally, the different components of memory are presented and explained: visual, aural, kinesthetic and analytical. |
| 요약 | The fifth chapter of the document discusses memorization methods which include creating a map modeled after Rebecca Shockley's musical maps, a hierarchically structured scheme created after Rogen Chaffin and Gabriela Imreh's model, and most importantly introducing six different memorization categories created by the author. These categories include examples with left-hand chords that share notes with the right hand, examples with hand-alternating passages, and more. With these categories the author aims to inspire teachers and performers to approach memorization with helpful strategies, mindful techniques, and to achieve a comprehensive grasp of the musical material. |
| 일반주제명 | Music. Pedagogy. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
