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Movement and performance in Berlin School cinema [electronic resource]
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | Movement and performance in Berlin School cinema/ Olivia Landry. [electronic resource]. |
| 개인저자 | Landry, Olivia,author. |
| 발행사항 | Bloomington, Indiana: Indiana University Press, [2018]. |
| 형태사항 | 1 online resource (ix, 215 pages). |
| 총서사항 | New directions in national cinemas |
| 기타형태 저록 | Print version: Landry, Olivia, author. Movement and performance in Berlin School cinema Bloomington, Indiana : Indiana University Press, [2019] 9780253038029 |
| ISBN | 9780253038043 0253038049 9780253038067 0253038065 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Media, death, and liveness -- Theatricality bleeds, the presence of dance -- Between movement and affect : the body's shared point of sense -- Accelerating performance : from car travel to car crash -- Nina Hoss's performance of the fugitive body; or, what to do with movement. |
| 요약 | "Through a study of the contemporary German film movement, the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect--all of which are viewed as critical components of live performance--can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of "slow cinema," Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers--such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler--invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, Movement and Performance in Berlin School Cinema expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema"-- |
| 해제 | Provided by publisher. |
| 주제명(지명) | Germany --Berlin. --fast |
| 일반주제명 | Motion pictures --Germany --Berlin --History. Movement (Acting) --History. Motion pictures. Movement (Acting) PERFORMING ARTS / Film & Video / History & Criticism |
| 언어 | 영어 |
| 바로가기 |  |
