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Writing Graffiti in Berlin: Shaping Space and Self in the Postmodern Metropolis, 1990-2017
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Writing Graffiti in Berlin: Shaping Space and Self in the Postmodern Metropolis, 1990-2017. |
| 개인저자 | Carver, Evan H. |
| 단체저자명 | University of Washington. Urban Design and Planning. |
| 발행사항 | [S.l.]: University of Washington., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 358 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-03A. Dissertation Abstract International |
| ISBN | 9781085722261 |
| 학위논문주기 | Thesis (Ph.D.)--University of Washington, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Advisor: Mugerauer, Robert. |
| 이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
| 요약 | This work explores radical forms of participation in urban design through a case study involving longtime graffiti writers in Berlin, Germany. Working with archival data as well as over a year of on-site field work, including extensive interviews and participant observation, I argue that what we have seen emerge with graffiti in Berlin is a form of "subcultural urbanism," that is, a vision of urban life not just informed by but actually engendered via subcultural practice. I bring this subcultural urbanism to life through a critical phenomenology of social space. I do this by building on established theories about the production of urban space and linking these to the notion of subcultural counterpublics, whose participation in urban change is important for "producing" the contemporary city in a more democratically legitimate way. Subcultural urbanism is a form of producing social space through the actions of a marginalized population whose marginalization and power are rooted in its members' interventions in public space. The core of this particular form of subcultural urbanism is reclamation or repurposing of public space for social and physical change and storytelling potential. Among the most important takeaways from this study overall is emergent nature of the "resistance" represented by the subcultural urbanism of graffiti writing. The self and the city are co-constituted through the practice of graffiti writing, and performative though it may be, only rarely does it look like political demonstration in the classic sense. What I illustrate throughout this book are the ways in which the practice of graffiti writing represents incipient, prefigurative, or "fugitive" forms of city making. |
| 일반주제명 | Urban planning. Geography. Cultural anthropology. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
