자료유형 | 학위논문 |
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서명/저자사항 | Painting the Formless and Strumming the Soundless: Yang Xiong's Taixuan jing as Expression of the Absolute. |
개인저자 | Liu, Jennifer. |
단체저자명 | University of Washington. Asian Languages and Literature. |
발행사항 | [S.l.]: University of Washington., 2019. |
발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
형태사항 | 253 p. |
기본자료 저록 | Dissertations Abstracts International 81-03A. Dissertation Abstract International |
ISBN | 9781085735599 |
학위논문주기 | Thesis (Ph.D.)--University of Washington, 2019. |
일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Advisor: Knechtges, David R. |
이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
요약 | This dissertation is a study of Yang Xiong's (53 BCE-18 CE) Taixuan jing that attempts to incorporate philological methods with philosophical insights by situating the text within the intellectual and historical context of the late Eastern Han. Secondarily, it is a response to the modern suggestion that the Taixuan jing paved the way for Wei-Jin xuanxue movement, and thus seeks to probe the limits of the extent of this claim with an investigation into Yang Xiong's mentor Zhuang Zun (83 BCE-ca. 6 CE) and the Jingzhou school established under the auspices of Liu Biao (144-208). While most studies have taken the Taixuan jing as an imitation of the Zhou yi, I have argued that if we are to truly understand Yang Xiong's project we must break free of this preconception and look at it in its own right. That is, the Taixuan is not merely an imitation of the Zhou yi, but that of a higher, transcendental truth which I have called the "absolute" that is expressed through image, parallel prose, and verse.In 짠1 I will set forth the philosophical background by looking at the concept of mimesis as it had evolved in meaning by the time of Plato |
일반주제명 | Asian studies. Classical studies. Philosophy. |
언어 | 영어 |
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