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The Art of Animating Images
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | The Art of Animating Images. |
| 개인저자 | Pena, Leopoldo. |
| 단체저자명 | University of California, Irvine. Spanish - Ph.D.. |
| 발행사항 | [S.l.]: University of California, Irvine., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 213 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-03A. Dissertation Abstract International |
| ISBN | 9781085635097 |
| 학위논문주기 | Thesis (Ph.D.)--University of California, Irvine, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Advisor: Mahiuex, Viviane. |
| 이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
| 요약 | The Art of Animating Images investigates photography during Mexico's reconstruction years: 1920s -1930s. During this period, photography was essential to illustrate nationalist projects through which a progressive image of the nation was projected locally and abroad. In this function, photography was a visual medium in its objective, expressive and technical capacity. Yet, photography also nourished discursive variants that promoted Mexico as a modern, liberal and socialist nation. Taking these discourses into consideration, this dissertation focuses on the role photography played in expressing nationalist ideals, informing nationalist imperatives by lending its own aesthetic and theoretical values: modern, objective and, foremost, unlimited reproducibility. In doing so, this dissertation engages a scholarly conversation on how photography was more than a visual and technical device at the service of nationalist ideals. The dissertation rethinks photography as an essential discursive apparatus that complemented, rewrote and magnified different nationalist currents at work during the reconstruction years of the Mexican Revolution.Analyzing how photographic theory and discourse were employed by early twentieth century intellectuals in Mexico, it is possible to understand how in the 1920s, a time when the nation needed to project an integral and progressive image, Anita Brenner, a self-made writer, represented the rise of the modern Mexican nation as a religious-autochthonous phenomenon while Salvador Novo approached photography to question nationalist ideas |
| 일반주제명 | Latin American studies. Latin American literature. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
