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South African Festivals in the United States: An Expression of Policies, Power and Networks
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | South African Festivals in the United States: An Expression of Policies, Power and Networks. |
| 개인저자 | Ndzuta, Akhona Amanda. |
| 단체저자명 | The Ohio State University. Arts Administration, Education and Policy. |
| 발행사항 | [S.l.]: The Ohio State University., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 416 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-02A. Dissertation Abstract International |
| ISBN | 9781085580571 |
| 학위논문주기 | Thesis (Ph.D.)--The Ohio State University, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Advisor: Wyszomirski, Margaret Jane. |
| 이용제한사항 | This item must not be sold to any third party vendors. |
| 요약 | This research is a qualitative case study of two festivals that showcased South African music in the USA: the South African Arts Festival which took place in downtown Los Angeles in 2013, and the Ubuntu Festival which was staged at Carnegie Hall in New York in 2014. At both festivals, South African government entities such as the Department of Arts and Culture (DAC), as well as the Department of International Relations and Cooperation (DIRCO) were involved. Due to the cultural, economic and other mandates of these departments, broader South African government policy interests were inadvertently represented on foreign soil. The other implication is that since South African culture was central to these events, it was also key to promoting these acultural policy interests. What this research sets out to do is to explore how these festivals promote the interests of South African musicians while furthering South African government interests, and how policy was an enabler of such an execution. |
| 일반주제명 | Music. International relations. Cultural resources management. Arts management. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
