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Haydn and Mozart as Orchestrators
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Haydn and Mozart as Orchestrators. |
| 개인저자 | Rogerson, Christopher Alden. |
| 단체저자명 | Princeton University. Music. |
| 발행사항 | [S.l.]: Princeton University., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 95 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-04A. Dissertation Abstract International |
| ISBN | 9781085771399 |
| 학위논문주기 | Thesis (Ph.D.)--Princeton University, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Advisor: Mackey, Steve |
| 이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
| 요약 | The subject of orchestration is typically associated with the treatises of Hector Berlioz and Nikolai Rimsky-Korsakov, or the striking effects of Claude Debussy or Igor Stravinsky. This dissertation seeks to reframe this narrative, considering the expressive role of orchestration in the work of Joseph Haydn and Wolfgang Amadeus Mozart. It concludes that they used the orchestra in strikingly different manners in the symphony and piano concerto. Haydn's orchestrational flair lay in the symphony, often exploiting the drama of sonic and timbral extremes |
| 일반주제명 | Musical composition. Music history. Music theory. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
