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Luigi Nono and the Metaphysics of the Avant-Garde
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Luigi Nono and the Metaphysics of the Avant-Garde. |
| 개인저자 | Angelakis, Ioannis. |
| 단체저자명 | New York University. Music. |
| 발행사항 | [S.l.]: New York University., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 611 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-03A. Dissertation Abstract International |
| ISBN | 9781085676908 |
| 학위논문주기 | Thesis (Ph.D.)--New York University, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Advisor: Hoffman, Elizabeth. |
| 이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
| 요약 | In my dissertation, I offer a metaphysical diagnosis of the contradictions of the historical avant-garde, a movement which I assert failed to break from modernity and establish radical changes in the form of life, for it lacked reflection upon its object of negation, that is, modernity itself and, thus, upon its own condition of intelligibility. In light of a thorough analysis of the structures of modernity through Hegel's Phenomenology of Spirit, I claim that if modernity is the idea of perpetual self-transformation, then the avant-garde remained parasitical upon modernity and became its transformative instrument. In turn, I reconstruct a genuine concept of the avant-garde through attentive readings of Heidegger, whose work provides a profound critique of modernity. I argue that Heidegger's shift between his early and late work regarding his conception of metaphysics can be the model for the transformation of the avant-garde from a mere historical example to an ontological era that points beyond modernity and opens up the possibility for a future realization of the project of the historical avant-garde. Ultimately, I show how the work of the Italian composer Luigi Nono (1924-1990) reveals strong affinities with the work of Heidegger, how Nono makes manifest a genuine ontological understanding of sound, and how his music points beyond sound and toward new ethical concerns regarding the new ontological era of the avant-garde. Nono was a leading figure in post-war European avant-garde music who sought idiosyncratic modes of listening/performing and new forms of lived spaces, which would embody persistent ethical concerns with perception, human interaction, and new forms of life. This dissertation explores the groundwork to talk about his 'otherness' in 'otherly' ways or, to put it differently, to tackle the question of 'what is avant- in Nono's avant-garde?'. |
| 일반주제명 | Music. Art criticism. Philosophy. Musical composition. Metaphysics. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
