자료유형 | 학위논문 |
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서명/저자사항 | Experimental Ecocinema: Toward an Image of Ecology, 1950-Present. |
개인저자 | Fletcher, Frederick Brady. |
단체저자명 | New York University. Cinema Studies. |
발행사항 | [S.l.]: New York University., 2019. |
발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
형태사항 | 345 p. |
기본자료 저록 | Dissertations Abstracts International 81-03B. Dissertation Abstract International |
ISBN | 9781085676335 |
학위논문주기 | Thesis (Ph.D.)--New York University, 2019. |
일반주기 |
Source: Dissertations Abstracts International, Volume: 81-03, Section: B.
Advisor: Polan, Dana. |
이용제한사항 | This item must not be sold to any third party vendors. |
요약 | This dissertation outlines some of the key aspects of experimental ecocinema in order to further define and refine the broad goals, strategies, and commitments of this emergent tradition. While there has been considerable and increasing focus on ecocinema studies as a mode of critical analysis of a body of work that spans mainstream Hollywood and documentary cinemas, less focus has been paid to so-called "experimental" works and the uniqueness of their contribution to the area. In order to advance ecocinema studies I trace the contours of a particular tradition that emerged in relation - and often, response - to more mainstream modes of eco-media production. I track parallels between three main historical currents: first, the emergence of newfound popular understandings of ecology itself - and newfound understandings of more subtle, invisible, and pervasive ecological crises - and the media representational crises that ensued to account for this new knowledge |
일반주제명 | Film studies. Art history. Environmental studies. |
언어 | 영어 |
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