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Dissidence [electronic resource] the rise of Chinese contemporary art in the West
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | Dissidence : the rise of Chinese contemporary art in the West/ Marie Leduc. [electronic resource]. |
| 개인저자 | Leduc, Marie,author. |
| 발행사항 | Cambridge: MIT Press, 2018. |
| 형태사항 | 1 online resource (216 pages). |
| 기타형태 저록 | Print version: Leduc, Marie, author. Dissidence 9780262038522 |
| ISBN | 9780262348232 0262348233 |
| 내용주기 | Intro; Contents; Preface; Acknowledgments; Introduction; Research Question; Organization and Method; Outcomes and Results; 1 Thinking the Unthinkable; 1.1 Robot; 1.2 Rights; 1.3 Robot Rights or the Unthinkable; 1.4 Summary; 2 !S1.!S2: Robots Cannot Have Rights; Robots Should Not Have Rights; 2.1 Default Understanding; 2.2 Literally Instrumental; 2.3 Instrumentalism at Work; 2.4 Duty Now and for the Future; 2.5 Complications, Difficulties, and Potential Problems; 2.6 Summary; 3 S1.S2: Robots Can Have Rights; Robots Should Have Rights; 3.1 Evidence, Instances, and Examples 3.2 Complications, Difficulties, and Potential Problems3.3 Summary; 4 S1 !S2: Although Robots Can Have Rights, Robots Should Not Have Rights; 4.1 The Argument; 4.2 Complications, Difficulties, and Potential Problems; 4.3 Summary; 5 !S1 S2: Even If Robots Cannot Have Rights, Robots Should Have Rights; 5.1 Arguments and Evidence; 5.2 Complications, Difficulties, and Potential Problems; 5.3 Summary; 6 Thinking Otherwise; 6.1 Levinas 101; 6.2 Applied (Levinasian) Philosophy; 6.3 Complications, Difficulties, and Potential Problems; 6.4 Summary; Notes; Introduction; Chapter 1; Chapter 2; Chapter 3 Chapter 4Chapter 5; Chapter 6; References; Index |
| 요약 | How the valorization of artistic and political dissidence has contributed to the rise of Chinese contemporary art in the West. Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work--a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists--Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun--who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence--their formal innovations and introduction of new media and concepts--and for their political dissidence--how their work challenges political values in both China and the West. As Leduc concludes, the rise of Chinese contemporary art in the West highlights the significance of artistic and political dissidence in the production of contemporary art, and the often-unrecognized relationship between contemporary art and liberal democracy. |
| 주제명(지명) | Western countries. --fast |
| 일반주제명 | Art, Chinese --Appreciation --Western countries. Art, Chinese --Collectors and collecting --Western countries. Dissident art --Appreciation --Western countries. Art and society --Western countries. Art and society. Art, Chinese --Appreciation. Art, Chinese --Collectors and collecting. ART / History / General |
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