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Becoming Clara Schumann performance strategies and aesthetics in the culture of the musical canon
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | Becoming Clara Schumann : performance strategies and aesthetics in the culture of the musical canon/ Alexander Stefaniak. |
| 개인저자 | Stefaniak, Alexander,1983- author. |
| 발행사항 | Bloomington, Indiana: Indiana University Press, [2021]. |
| 형태사항 | 1 online resource (xiii, 308 pages): illustrations. |
| 기타형태 저록 | Print version: Stefaniak, Alexander, 1983- Becoming Clara Schumann Bloomington, Indiana : Indiana University Press, 2021. 9780253058294 |
| ISBN | 9780253058270 0253058279 9780253058263 0253058260 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Introduction -- Schumann's early-career concert vehicles : transcendent interiority and the cutting edge of popular pianism -- The imagined revelation fo musical works -- The compositional agency of the revelatory interpreter -- Clara Schuman's 1840 compositions and her midcentury persona -- Navigating and shaping local concert scenes and canons : Clara Schumann's 1854-1856 tours -- Revelatory interpretation and the performance of memory -- Epilogue. |
| 요약 | "Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was not only an accomplished strategist--having played roughly 1,300 concerts in her 61-year career across western and central Europe-but also played an integral role in shaping the reception of her husband's music. Revolutionary for the time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of music's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance"-- |
| 해제 | Provided by publisher. |
| 주제명(개인명) | Schumann, Clara,1819-1896. Schumann, Clara,1819-1896 -- Performances. Schumann, Clara,1819-1896 -- Appreciation. Schumann, Clara,1819-1896. -- fast -- |
| 주제명(지명) | Germany. --fast |
| 일반주제명 | Piano --Performance --Germany --History --19th century. Art appreciation. Performances. Piano --Performance. MUSIC / Individual Composer & Musician |
| 언어 | 영어 |
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