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Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Beyond the Big Band: Concepts and Strategies in Creative Orchestra Music. |
| 개인저자 | Beeferman, Gordon. |
| 단체저자명 | New York University. Music. |
| 발행사항 | [S.l.]: New York University., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 279 p. |
| 기본자료 저록 | Dissertation Abstracts International 79-12A(E). Dissertation Abstract International |
| ISBN | 9780438170711 |
| 학위논문주기 | Thesis (Ph.D.)--New York University, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 79-12(E), Section: A.
Adviser: Louis Karchin. |
| 요약 | Starting in the 1920s, composers and bandleaders such as Duke Ellington and Count Basie brilliantly incorporated the intimacy and spontaneity of improvisation into a large ensemble context. In the 1940s, economics and stylistic evolution changed |
| 요약 | These composers were mostly African-American and their ensembles were either African-American or racially mixed, and entrenched racist attitudes excluded them from existing white-dominated musical institutions. Lumped in with jazz by critics and |
| 요약 | In this dissertation, I will explore the musical influences, philosophies, composition techniques, and performance practices of these composer/bandleaders, who have created partially or totally improvised large ensemble works. Through detailed a |
| 요약 | At its heart, I intend this dissertation to illuminate what I see as the most intriguing question of Creative Orchestra Music, and the very thing that I believe defines the genre: how can a composer's singular vision not only co-exist with, but |
| 일반주제명 | Music. Musical composition. Music theory. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
