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Underground Sounds: Oral Tradition and Recording Culture in American Poetry, 1917-2008
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Underground Sounds: Oral Tradition and Recording Culture in American Poetry, 1917-2008. |
| 개인저자 | Peart, Andrew. |
| 단체저자명 | The University of Chicago. English Language and Literature. |
| 발행사항 | [S.l.]: The University of Chicago., 2018. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2018. |
| 형태사항 | 317 p. |
| 기본자료 저록 | Dissertation Abstracts International 79-11A(E). Dissertation Abstract International |
| ISBN | 9780438083455 |
| 학위논문주기 | Thesis (Ph.D.)--The University of Chicago, 2018. |
| 일반주기 |
Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
Adviser: Bill Brown. |
| 요약 | "Underground Sounds" examines the roles played by folklore collecting, sound recording, and popular song in twentieth-century American poetry. What was it about the age of mechanical reproducibility in sound, this study asks, that drew poets to |
| 요약 | Since the late nineteenth century, American folklorists found a matrix for theories about cultural identity and cohesion in the ballad. Through readings of Carl Sandburg, Sterling Brown, Margaret Walker, Amiri Baraka, Carolyn Rodgers, and others |
| 요약 | This study makes the case that folklore scholarship was central to the making of modern American poetry. It tells a story of collaboration and exchange between poets and folklorists that is part and parcel of an overarching narrative about the c |
| 일반주제명 | American literature. Music. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
