자료유형 | 학위논문 |
---|---|
서명/저자사항 | Nothing Is as It Appears: Anthony Braxton's Trillium J. |
개인저자 | Young, Katherine. |
단체저자명 | Northwestern University. Composition and Music Technology. |
발행사항 | [S.l.]: Northwestern University., 2017. |
발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2017. |
형태사항 | 133 p. |
기본자료 저록 | Dissertation Abstracts International 79-11A(E). Dissertation Abstract International |
ISBN | 9780438155336 |
학위논문주기 | Thesis (D.M.A.)--Northwestern University, 2017. |
일반주기 |
Source: Dissertation Abstracts International, Volume: 79-11(E), Section: A.
Adviser: Hans Thomalla. |
요약 | Anthony Braxton's Trillium J, part of an ambitious planned "complex" of 36 one-act operas, premiered in 2014. Very little writing---anecdotal, journalistic, nor scholarly---exists on these works, so this research provides a critical introduction |
요약 | I suggest that Trillium's potential for ritualization exists, in part, because of the nuanced way the Western operatic, the American experimental, and improvised music traditions intersect and inform Braxton's work. Also important are the frustr |
일반주제명 | Musical composition. Theater. African American studies. |
언어 | 영어 |
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: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |