자료유형 | 학위논문 |
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서명/저자사항 | Unity in Gyorgy Ligeti's First Book of Etudes for Piano. |
개인저자 | Damouni, Steven Samuel. |
단체저자명 | University of Washington. Music. |
발행사항 | [S.l.]: University of Washington., 2019. |
발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
형태사항 | 96 p. |
기본자료 저록 | Dissertations Abstracts International 81-04A. Dissertation Abstract International |
ISBN | 9781088331200 |
학위논문주기 | Thesis (D.M.A.)--University of Washington, 2019. |
일반주기 |
Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Includes supplementary digital materials. Advisor: McCabe, Robin. |
이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
요약 | This dissertation analyzes the six etudes in Gyorgy Ligeti's first book of etudes for piano. Each etude is examined, both individually and within the context of the entire group of six. There are allusions to a wide variety of influences in this set, including: African polyrhythms, Eastern European folk music, Shepard Tones, jazz and fractals. In addition, this paper focuses on the use of three different tools to unify six vastly different pieces. Intervallic content is used to help give the work cohesion. Specifically, the tritone, with an added half-step above or below, permeates the entire work. The general rhythmic complexity is achieved through different means in each etude, but it is a common thread in the first book of etudes. Finally, the use of extreme changes in register is utilized not only in these six etudes but also throughout Ligeti's oeuvre. There are also short sections for each etude discussing performance concerns and how to combat the possible problems. |
일반주제명 | Music. Musical composition. Piano music. Classical music. |
언어 | 영어 |
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