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Mixed Media and Metaphor: An Analysis of the Performance Technologies Utilized in Drop and Decoder
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Mixed Media and Metaphor: An Analysis of the Performance Technologies Utilized in Drop and Decoder. |
| 개인저자 | Bird, David. |
| 단체저자명 | Columbia University. Music. |
| 발행사항 | [S.l.]: Columbia University., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 53 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-02A. Dissertation Abstract International |
| ISBN | 9781085656931 |
| 학위논문주기 | Thesis (D.M.A.)--Columbia University, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-02, Section: A.
Includes supplementary digital materials. Advisor: Lewis, George E. |
| 이용제한사항 | This item must not be sold to any third party vendors.This item must not be added to any third party search indexes. |
| 요약 | This research examines two pieces composed by me: Drop, for string octet, strobe lights, and electronic sounds (2015), and Decoder, for MIDI drums, holographic projections, and electronic sounds (2017). Both works interrogate a particular manifestation of digital technology: in the case of Drop, strobe lights, and in Decoder, digital screens. This process involves unpacking the character, language, and associations of a particular technology, and exploring how human performance complements, opposes, and negotiates with these elements. My analysis highlights the influence of Post-Digitalism in my work and aims to show how mixed-media performance technologies function metaphorically, and how their influence can be traced from their physical presence on stage to notated gestures in performance. |
| 일반주제명 | Musical composition. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
