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On Lyric's Minor Commons
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | On Lyric's Minor Commons. |
| 개인저자 | Benjamin, Daniel. |
| 단체저자명 | University of California, Berkeley. English. |
| 발행사항 | [S.l.]: University of California, Berkeley., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 151 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-05A. Dissertation Abstract International |
| ISBN | 9781392370933 |
| 학위논문주기 | Thesis (Ph.D.)--University of California, Berkeley, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
Advisor: Hejinian, Lyn. |
| 이용제한사항 | This item must not be sold to any third party vendors. |
| 요약 | On Lyric's Minor Commons studies how minoritized writers use lyric poems to create alternative forms of collectivity. I argue that poets like Amiri Baraka, Frank O'Hara, M. NourbeSe Philip, and Jack Spicer use lyric poetry's undetermined multiplicity of voicing and reading for various social and political aims. These poems become spaces for politics: they conjure and mobilize collectives of action and feeling. My argument complicates generic and historicist critiques that associate lyric voice with the reinforcement of humanism. While lyric is often considered to be the genre of individual subjective experience, I read lyric as the genre of the collective who can voice or read it. For the minoritized poets I discuss in this dissertation, lyric's collective is not the unmarked hegemonic universal, but another commons. The politics of difference often emphasizes the individual relative to the collective |
| 일반주제명 | American literature. Canadian literature. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
