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Cinema and Decolonization: Rethinking Incarceration, Immigration, and the Police(d) State in the Post Civil Rights Era
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| 자료유형 | 학위논문 |
|---|---|
| 서명/저자사항 | Cinema and Decolonization: Rethinking Incarceration, Immigration, and the Police(d) State in the Post Civil Rights Era. |
| 개인저자 | Ekanayake, Aruna . |
| 단체저자명 | University of California, Los Angeles. Film & TV 0010. |
| 발행사항 | [S.l.]: University of California, Los Angeles., 2019. |
| 발행사항 | Ann Arbor: ProQuest Dissertations & Theses, 2019. |
| 형태사항 | 286 p. |
| 기본자료 저록 | Dissertations Abstracts International 81-05A. Dissertation Abstract International |
| ISBN | 9781392673751 |
| 학위논문주기 | Thesis (Ph.D.)--University of California, Los Angeles, 2019. |
| 일반주기 |
Source: Dissertations Abstracts International, Volume: 81-05, Section: A.
Advisor: Noriega, Chon A. |
| 이용제한사항 | This item must not be sold to any third party vendors. |
| 요약 | In this dissertation I consider how independent cinema of the post civil rights era represents and negotiates tropes of internal colonialism in the United States. Though earlier filmmakers address issues related to domestic subjugation, a subset of films made by marginalized-identity filmmakers from the post civil rights era stand out because they work to expose socio-political elements of a period where the subjugation of marginalized-identity citizens and residents within the United States continues in varying and often veiled ways in spite of new civil rights legislation. The outward and sometimes legalized racism that preceded civil rights movement in America was reformed only to make way for a deeper seeded legal infrastructure of apartheid and exploitation stemming from three main staples of coloniality: incarceration, immigration control, and a police(d) state. In three chapters I conduct a phenomenological analysis of several films that directly and indirectly address tropes of internal colonization in the United States. I begin my analysis by considering the cinematic rendering of prison and home as interchangeable in the context of internal coloniality. I follow by considering the border-breaching / border-making practice of colonization, a practice that informs my interrogation of issues regarding, migration, autochthonous agency, and ethnographic filmmaking. I conclude with a look at films that seek to outline tactics for resisting the indoctrination or policing inherent in coloniality |
| 일반주제명 | Film studies. Ethnic studies. Public policy. |
| 언어 | 영어 |
| 바로가기 | 
: 이 자료의 원문은 한국교육학술정보원에서 제공합니다. |
