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The new generation in Chinese animation
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| 자료유형 | 단행본 |
|---|---|
| 서명/저자사항 | The new generation in Chinese animation/ Shaopeng Chen. |
| 개인저자 | Chen, Shaopeng,author. |
| 형태사항 | 1 online resource: color illustrations. |
| 총서사항 | World cinema series |
| 기타형태 저록 | Print version: Chen, Shaopeng The new generation in Chinese animation London New York : Bloomsbury Academic, 2021. 9781350118959 |
| ISBN | 9781350118973 1350118974 9781350118980 1350118982 9781350118966 1350118966 |
| 기타표준부호 | 10.5040/9781350118980doi |
| 서지주기 | Includes bibliographical references, filmography and index. |
| 내용주기 | 1. Introduction: passing the torch of Chinese cinema animation to a new generation -- 2. The Chinese animation blockbuster at the turn of the century: Lotus Lantern and beyond -- 3. Cross-generational appeal, social supervision and media convergence: the derivative films and Boonie Bears series -- 4. Original Chinese cinema animation and Kuiba series: commerciality, originality and cultural hybridity -- 5. Monkey King: hero is back and the new direction of Chinese cinema animation -- 6. Conclusion. |
| 요약 | "In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian Deng (1999) responded to competition from American imports such as The Lion King (1994), retaining Chinese iconography while at the same time adopting Hollywood aesthetics and techniques. Addressing the series Boonie Bears/Xiong Chumo (2014-5), Chen focuses on the films' adaptation from the original TV series, and how the films were promoted across generations and by means of both online and offline channels. Discussing the series Kuiba/Kui Ba (2011, 2013, 2014), Chen examines Vasoon Animation Studio's ambitious attempt to create the first Chinese-style high fantasy fictional universe, and considers why the first film was a critical success but a failure at the box-office. He also explores the relationship between Japanese anime and new generation Chinese animation. Finally, Chen considers how word-of-mouth social media engagement lay behind the success of Monkey King: Hero is Back (2015)"-- |
| 해제 | Provided by publisher. |
| 주제명(지명) | China. --fast |
| 일반주제명 | Animated films --China --History --20th century. Animated films --China --History --21st century. Animated film industry --China --History --20th century. Animated film industry --China --History --21st century. Films, cinema. History --Asia --China. Performing Arts --Animation. Animated film industry. Animated films. Animation (Cinematography) |
| 언어 | 영어 |
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